The right to demonstrate is non-negotiable. But in towns and cities across France, society is being reordered in a way that criminalises social and political struggles.
In Madrid, the opponents of the new Internal Security Act organized a demonstration of holograms in the Spanish Parliament.
The Vertigo Effect, a series of more than 25 films marked, in one way or another, by Alfred Hitchcock's 1958 classic, commenced last night at BAM. Below, we present Jacques Rancière's essay on the film from Intervals of Cinema, which casts back to Vertov's Man With the Movie Camera to uncover the faultline Hitchcock's work straddles.
Understanding the art of moving images means first understanding the relation between two movements: the visual unrolling of images specific to cinema; and the deployment and dissipation of semblances more broadly characteristic of the narrative arts. In the western tradition, the second aspect is dominated by the Aristotelian logic of inversion. The plot is a sequence of actions that seems to have a certain meaning and lead towards a certain end. But as the sequence unfolds, expectations are dashed: the alliance of causes produces an entirely different effect from the one anticipated; knowledge becomes ignorance and ignorance knowledge; success changes to disaster or misfortune to happiness. How can the unrolling of moving images be married to that particular logic for unveiling the truth behind appearances? I would like to show that the most perfect synchronization of the two movements includes a fault. And I will attempt to understand the philosophical meaning and political weight of that fault. So I will talk about the relation between vision, movement and truth. And by the same token I will have to talk about the relation between cinema, philosophy, literature and communism.
According to the philosopher Jacques Rancière, a number of so-called French ‘republican’ intellectuals have been opening the door to the Front National for some time now. In an interview with Éric Aeschimannm, Rancière shows how universalist values have been perverted to the benefit of xenophobic discourse.
Professor emeritus at the Université Paris X, the philosopher Étienne Balibar has made the question of racism and its new forms of expression an important theme of his political philosophy, notably in his critique of capitalism and of liberal society. He is the author, among others, of Citoyen Sujet et autres essais d’anthropologie philosophique (2010) and La proposition de l’égaliberté (2011), published by Presses Universitaires de France. Passing through Montreal last November, he was keen to answer our questions.
Relations: Given the predominance of the question of human rights in our societies, as well as the official condemnation of racism, one might think that racism is a relic of ages past. Yet this is not the case. To what extent is it still a central – indeed, structural – phenomenon, particularly in the era of capitalist globalisation? In other words, what does it say about our societies?