This essay is excerpted from Sohail Daulatzai's Fifty Years of The Battle of Algiers: Past as Prologue, published by the University of Minnesota Press. A new 4K restoration of The Battle of Algiers is currently touring theaters across the United States.
Though it is both troubling and telling, the screening of the film by the Pentagon in the aftermath of 9/11 and the invasions of Iraq and Afghanistan is only the latest chapter in the afterlife of The Battle of Algiers. In many ways, the film is a battleground and a microcosm of the enduring struggles between the West and the Rest, whiteness and its others. But in a post- 9/11 moment, it’s hard to ignore the ways in which the centrality and omnipresence of the figure of the Muslim and the “War on Terror” have not only coded and shaped every aspect of social life but have also sought to undermine the power and politics of The Battle of Algiers.
Following the tragic Orlando massacre at a gay nightclub, both New York Governor Andrew Cuomo and Democratic presidential nominee Hillary Clinton called for a return to “the spirit of 9/12,” a reference to a dark period of racism, surveillance, and state sanctioned Islamophobia after the September 11th attacks. In the United Kingdom, instances of xenophobia and Islamophobia have reportedly surged following the EU referendum, leaving migrants and minorities, particularly Muslim women, vulnerable to attack and discrimination. As events unfold and the "Brexit" debates continue, we present a reading list of key titles that shed light on the origins of Islamophobia and ways we can organize to fight it.
According to the philosopher Jacques Rancière, a number of so-called French ‘republican’ intellectuals have been opening the door to the Front National for some time now. In an interview with Éric Aeschimannm, Rancière shows how universalist values have been perverted to the benefit of xenophobic discourse.
In the second of our blog posts to mark ten years since the 7/7 bombings, we bring you an extract from The Muslims Are Coming!: Islamophobia, Extremism and the Domestic War on Terror by Arun Kundnani, a powerful critique of the surveillance and prosecution of Muslims the UK and US since in the wake of 9/11 and 7/7 terror attacks.
In this passage, Kundnani traces the formation of a globalised, politicised branch of Islam in the UK, shaped in large part by the endemic racism experienced by Muslims day-to-day. Kundnani, as with the first extract published earlier today from Tariq Ali's Rough Music, also questions why narratives of terrorist violence are detached from the wider context of Western governments’ foreign policies.