Susie Day's interview with organizer and artist Amin Husain was first published in Monthly Review online.
Rounding up immigrants, pissing on transgender bathroom rights, barring press from press briefings… The only good thing Donald Trump has done is to galvanize millions of people into political outrage. For months now we've gone to dozens of marches and rallies. Of course, this isn't enough, but what more to do?
Then I happened on a Facebook post by Amin Husain:"I wish I could share what's wrong and what's missing in how we're handling the Trump era without many of my dear friends thinking that I am just being a downer on the 'resistance.'" I had to hear more.
Alas, summer is ending and you need to know your Brecht from your Benjamin quicksharp. Luckily, Verso is here to help, All books on our undergraduate reading list are 50% off — we have your back arts students!
Mark Kingwell reflects on the space where art and politics meet. First published at Harpers.org
Ever since 1964, when Arthur Danto described the art world as a discursive space in which any object, however humble — a soup can, a garden tool, a urinal — might be aesthetically transfigured, philosophers of art have been painting themselves into an increasingly tiny conceptual corner. So-called analytic aesthetics now wallows in a deflationary phase, fighting shy of familiar questions about art and beauty. One recent exemplar of this literature, Dominic McIver Lopes’s Beyond Art (2014), cheerfully defends a “buck-passing” theory of art. That is, art is whatever different “arts-discourses” (i.e., painting, sculpture, performance) choose to talk about and to make. In the book’s terms, “X is a work of art if and only if x is a work of K, where K is an art.” A general theory of why there can be no general theory is a brainchild only an academic could love.