This essay is excerpted from Sohail Daulatzai's Fifty Years of The Battle of Algiers: Past as Prologue, published by the University of Minnesota Press. A new 4K restoration of The Battle of Algiers is currently touring theaters across the United States.
Though it is both troubling and telling, the screening of the film by the Pentagon in the aftermath of 9/11 and the invasions of Iraq and Afghanistan is only the latest chapter in the afterlife of The Battle of Algiers. In many ways, the film is a battleground and a microcosm of the enduring struggles between the West and the Rest, whiteness and its others. But in a post- 9/11 moment, it’s hard to ignore the ways in which the centrality and omnipresence of the figure of the Muslim and the “War on Terror” have not only coded and shaped every aspect of social life but have also sought to undermine the power and politics of The Battle of Algiers.