All Over the Map: Writing on Buildings and Cities

The celebrated radical architect returns with an anthology on the politics and culture of architecture.
All Over the Map is an urgent response to the radical changes in contemporary architecture and the built environment witnessed in the twenty-first century. Characteristically polemic, incisive and energetic, these essays explore pressing questions of architectural and urban design, and critical issues of public space and participation. From New York to New Orleans, the Amazon to Jerusalem, Sorkin brings a critical eye to bear on a sweeping range of subjects.

Whether castigating the sorry performance of the architectural avant-garde, considering the nature of place in globalized culture, or providing mock instructions for entering a high-security environment, these writings make a powerful and provocative case for architecture and urban design to re-engage with the lives and societies from which they have become increasingly detached.


  • “Easily one of the best architecture critics around ... Sorkin is a flaneur with a sense of public purpose.”
  • “America's most invigorating writer on architecture. ”
  • “Sorkin is one of the most intelligent writers on architecture today. ”
  • “Sorkin is a formidable opponent of the banal, the ugly, the stupid and the vapidly posturing which, he argues, are all around us. ”
  • “[A]n intense mediation on the role of democracy in architecture, the role of the critic in that democracy and the dilemmas facing an architect who wants to make a difference (by working with that democracy) but needs to make a living (by pleasing an economic and political elite)...One of the most impressive collections of contemporary criticism you could read.”
  • All Over the Map is a pleasure to read”


  • How Gentrifiers Gentrify: a review of Sylvie Tissot's 'Good Neighbors'

    Writing for 
    Public Books, Max Holleran review Sylvie Tissot's Good Neighbors: Gentrifyinf Diversity in Boston's South End. Praising the books combination of political and cultural investigation, Holleran describes Tissot's powerful analysis of how wealthier 'newcomers' create strong communities of their own - and, in so doing, force out those who once called the neighborhood home.

    October 1, 2015
     — This past spring a new French restaurant opened in the Bedford-Stuyvesant neighborhood of Brooklyn. Located on Malcolm X Boulevard, directly across the street from a Crown Fried Chicken, the restaurant—with a menu that includes frog legs and a bottle of Bordeaux that sells for $2,000—is an incongruous new addition to an area of Brooklyn where the median household income is below $35,000. It is named L’Antagoniste, ostensibly for its celebration of the contrarian French personalities pictured on its walls, but neighbors might interpret the name differently.

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  • All Over the Map makes Artforum's "Best of 2011" list

    As chosen by Anthony Vidler, a Professor of Architecture and the Dean of the Irwin S. Chanin School of Architecture, Cooper Union, New York

    A witty, incisive, critical, and brilliantly written invitation to see contemporary architecture and urbanism as a complex result of economic, political, and ideological forces that are hardly masked by the formal expressions of architects. This is criticism as we rarely read it, of the sort that Jane Jacobs and Lewis Mumford provided in an earlier era. These essays demonstrate that Sorkin goes well beyond his own advice, and that he adds something else for good measure: a deep and broad knowledge of architecture and cities, a love of both, and a profound belief in the role of architecture in constructing a just city.

  • Michael Sorkin & Occupy Wall Street: 'Liberty Square'

    'Liberty Square' is from Michael Sorkin's All Over the Map

    One of the basic rights enshrined in the First Amendment to the Constitution is that of "the people to freely assemble." Free assembly is the primary expression of democracy in space, the physical embodiment of liberty. This relationship far predates the American experience. Cities, in particular, have long been seen as especially conducive to freedom, as exemplified in the famous motto of the Hanseatic League: "City air makes you free." The just city is one where citizens move unimpeded and gather in many different forms for self-expression. In modern times, social progress has been directly linked to the variety of rallies, demonstrations, marches, and insurrections that have had as their arena the streets and squares of the city. From women's suffrage to civil rights to union organizing to anti- war protests, the power of bodies together in space has been crucial to the defense of our rights. In real democracy, the streets belong to the people.

    In city after city, certain places have become linked to these gatherings, institutionalized by repeated use. While the street is the bedrock of the popular right to the city-the conduit of association-it is only part of the necessary infrastructure of assembly, which includes privatized spaces such as bars, cafés, lecture halls, stadia, and stoops, as well as bigger public spaces: the parks, plazas, and town squares that remain fundamental to sound urbanism. Whether the Zocalo in Mexico City, the Mall in Washington, or Tiananmen Square in Beijing, these great sites are zones of focus, the common property of those dedicated to the struggle for free association. Indeed, the right of the public to gather in these places continues to be defended in blood.

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Other books by Michael Sorkin