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Bearded bomb-throwers, self-indulgent nihilists, dangerous subversives — these characteristic cliches of anarchists in the popular imagination are often reproduced in the cinema. In Film and the Anarchist Imagination, the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs. From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmuller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as Zéro de Conduite, Vivre sa Vie, and Love and Anarchy. In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enragés of May 68.
“Richard Porton’s erudite and eloquent history of anarchist cinema breaks new ground in both film and cultural studies; there is nothing comparable to it in English.” — David E. James
Richard Porton teaches cinema studies at the College of Staten Island (CUNY). He has written on film for a variety of publications and is on the editorial board of Cineaste.
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Publication
August 1999
320 pages
23 b/w photographs
Paper
1 85984 261 5
US$22 / £14 / CAN$28
Cloth
1 85984 702 1
US$66 / £40 / CAN$85
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