Art and Aesthetics Undergraduate Reading List
Alas, summer is ending and you need to know your Brecht from your Benjamin quicksharp. Luckily, Verso is here to help, All books on our undergraduate reading list are 50% off — we have your back arts students!
Aesthetics and Politics
by Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht and Georg Lukacs
“This is vital reading for anyone concerned with the relationship between art and socialism.” — John Fowles
Key texts of the great Marxist controversies over literature and art, during 1930 – 1950, are assembled in Aesthetics and Politics. The text provides reference points for first year students, giving vital context to those studying the aesthetic movement.
Artificial Hells: Participatory Art and the Politics of Spectatorship
by Claire Bishop
“An essential title for contemporary art history scholars and students …” — Library Journal
Bishops searing critique calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
“Foster is one of those rare art theorists whose measured prose can engage a wider readership, cutting through the philosophical inflationism that afflicts much of the higher gossip among art critics.” — Guardian
Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”
“A timely tome with an urgent message for anyone on the art or architecture axis.” — Time Out
Hal Foster, author of the critically acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style” of architecture — as practiced by Norman Foster, Richard Rogers and Renzo Piano — analogous to the international style of Le Corbusier, Gropius and Mies.
In The Flow
by Boris Groys
In the Flow not only aptly describes Boris Groys’ brilliantly astute state of mind when writing this book, but also signals the incredible journey the reader will take around some of the most pervasive cultural constructs of our time: the museum, the archive, and the Internet. In the process of articulating the rheology — or fluidity — of art, each chapter elucidates a new potential for contemporary terminologies and concepts such as activism, participation, aestheticization, infection, and transgression. In the Flow offers a refreshing approach to art theory that opens up the possibilities for ideas to remain mutable while being put into practice. — Kate Fowle, Chief Curator, Garage Museum of Contemporary Art
In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
“A lucid and sure-footed guide to today’s renaissance of art radicalism. A participant as well as a critic, McKee knows exactly what he is talking about, and the result is red hot.” — Andrew Ross, author of Creditocracy and the Case for Debt Refusal
Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.
“It presents us with the lineaments of a critical philosophy of art that proves the conceptual dimension to be essential to contemporary art.” — Radical Philosophy
Contemporary art is the object of inflated and widely divergent claims. What kind of discourse can help us give it a critical sense? Anywhere or Not At All maps out the conceptual coordinates for an art that is both critical and contemporary in the era of global capitalism.
Aisthesis: Scenes from the Aesthetic Regime of Art
by Jacques Ranciere
“Exhilarating ... Rancière’s most thoroughgoing polemic against the received idea of modernism.” — Artforum
Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Ranciere’s incisive study provides a history of artistic modernity far removed from conventional understandings of modernism.
The foremost contemporary philosopher on art takes a radically different approach to the attempted emancipation of the spectator, arguing for a new politics of looking. Ranciere’s incisive study provides a history of artistic modernity far removed from conventional understandings of modernism.
With great skill and generosity, Barry Schwabsky threads a fine needle in writing accessible art criticism for a general audience about a wide range of artists and histories, from Velázquez to Nancy Spero, from Manet to the Pictures Generation, from Gauguin to Jimmie Durham and Kara Walker, without making any concessions to his passions. In the collected essays in The Perpetual Guest, Schwabsky writes from within a cultural field he loves, whose complexities he embraces, offering his readers an erudite and independent voice as a guide and a resource. — Mira Schor, artist and author of A Decade of Negative Thinking: Essays on Art, Politics and Daily Life
Schwabsky’s rich and subtle contributions illuminate art’s present moment in all its complexity: shot through with determinations produced by centuries of interwoven traditions, but no less open-ended for it.
More reading lists:
Philosophy Undergraduate Reading List
Economics Undergraduate Reading List
Race and Ethnicity Undergraduate Reading List
History Undergraduate Reading List
Political Theory Undergraduate Reading List
Feminism and Gender Undergraduate Reading List
Cities and Architecture Undergraduate Reading List