Savage Messiah: Kings Cross to Hackney Wick

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Savage Messiah collects the entire set of Laura Grace Ford’s fanzine to date. Part graphic novel, part artwork, the book is both an angry polemic against the marginalisation of the city’s working class and an exploration of the cracks that open up in urban space.

This updated edition includes a new preface and fanzine. 

Click below to read an excerpt from Savage Messiah‘Issue 8’, Kings Cross to Hackney Wick.

“Ford displays authentic gifts as a recorder and mapper of terrain. She is a necessary kind of writer, smart enough to bring document and poetry together in a scissors-and-paste, post-authorial form.” – Iain Sinclair, Guardian

“One of the most striking fanzines of recent years … focusing on the politics, psychology and pop-cultural past of a different London postcode. Ford’s prose is scabrous and melancholic, incorporating theoretical shards from Guy Debord and Marc Augé, and mapping the transformations to the capital that the property boom and neoliberalist economics have wrought. Each zine is a drift, a wander through landscape that echoes certain strands of contemporary psychogeography. Ford—or a version of her, at least—is an occasional character, offering up narcotic memories of a forgotten metropolis. The images, hand-drawn, photographed and messily laid out, suggest both outtakes from a Sophie Calle project and the dust jacket of an early 1980s anarcho-punk compilation record: that is, both poetry and protest.” – Sukhdev Sandhu, New Statesman

Savage Messiah’s fractured narratives, clipped sloganeering and topographical poetics have been, for the last decade or so, a kind of solace for anyone who loathed the coked-up arrogance, the intellectual and political vacuity and compulsory amnesia of the boom. It was a constant reminder that bad times were just around the corner.” – Owen Hatherley, author of A Guide to the New Ruins of Great Britain

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