Work and Leisure in Everyday Life

Everydaylife-

To celebrate Verso's 50th Anniversary, we are publishing excerpts from some of our classic texts. The following is an excerpt from the foreword to Henri Lefebvre's Critique of Everyday Life on the dialectical relationship between work and leisure and the extension of alienation into free time. 

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Throughout history, criticism of everyday life has been carried on in a number of ways: by philosophy and contemplation, dream and art, violent political or warlike action. By flight and escape.

These criticisms have a common element: they were the work of particularly gifted, lucid and active individuals (the philosopher, the poet, etc.). However, this individual lucidity or activeness concealed an appearance or an illusion, and therefore a hidden, deeper reality. In truth their work belonged to a time and a class whose ideas were thus raised above the everyday onto the level of the exceptional and the dominant. Hence the criticism of everyday life was in fact a criticism of other classes, and for the most part found its expression in contempt for productive labour; at best it criticized the life of the dominant class in the name of a transcendental philosophy or dogma, which nevertheless still belonged to that class. This is how we must understand the criticism of the ‘world’ and the ‘mundane’ carried out from the Middle Ages until the era – the bourgeois eighteenth century – when the ‘mundane’ element burst forth into art and philosophy.

In our era, one of the most recent forms which criticism of everyday life has taken is criticism of the real by the surreal. By abandoning the everyday in order to find the marvellous and the surprising (at one and the same time immanent in the real and transcending it), Surrealism rendered triviality unbearable. This was a good thing, but it had a negative side: transcendental contempt for the real, for work for example (the long-inevitable rift between Surrealists and Marxists took place during a memorable meeting of the Association of Writers and Revolutionary Artists over the Soviet film Road to Life).

And yet, be he an author or not, the man of our times carries out in his own way, spontaneously, the critique of his everyday life. And this critique of the everyday plays an integral part in the everyday: it is achieved in and by leisure activities.

The relation between leisure and the everyday is not a simple one: the two words are at one and the same time united and contradictory (therefore their relation is dialectical). It cannot be reduced to the simple relation in time between ‘Sunday’ and ‘weekdays’, represented as external and merely different. Leisure – to accept the concept uncritically for the moment – cannot be separated from work. After his work is over, when resting or relaxing or occupying himself in his own particular way, a man is still the same man. Every day, at the same time, the worker leaves the factory, the office worker leaves the office. Every week Saturdays and Sundays are given over to leisure as regularly as day-to-day work. We must therefore imagine a ‘work–leisure’ unity, for this unity exists, and everyone tries to programme the amount of time at his disposal according to what his work is – and what it is not. Sociology should therefore study the way the life of workers as such, their place in the division of labour and in the social system, is ‘reflected’ in leisure activities, or at least in what they demand of leisure.

Historically, in real individuality and its development, the ‘work–leisure’ relation has always presented itself in a contradictory way.

Until the advent of bourgeois society, individuality, or rather personality could only really develop outside productive labour. In Antiquity, in the Middle Ages, and even during the period when bourgeois social relations still retained aspects of the social relations bequeathed by feudalism – in the seventeenth century of the honnête homme – the man who was able to develop himself never worked.

However, whether they were aristocrats, clerks still tied to feudalism, or bourgeois honnêtes hommes, such men only appeared to remain outside the social division of labour and social practice. In reality they were prisoners of the separation of manual and intellectual work. Moreover, directly or not, consciously or not, they had a social function, if only on the ideological level. Leonardo da Vinci was an engineer as well as an artist. Rabelais was a doctor and then a writer, at once an encyclopedic brain and an epic novelist. Montaigne worked in local government. And Descartes was an army officer before becoming a scholar … In so far as the man of those times was genuinely separated from social practice and devoted to leisure alone – to laziness – he was doomed both in a personal sense and fromthe point of view of class.

Another element must be considered which makes the question even more complicated. In those eras, in those modes of production, productive labour was merged with everyday life: consider the lives of peasants and craftsmen, for example. What distinguishes peasant life so profoundly from the life of industrial workers, even today, is precisely this inherence of productive activity in their life in its entirety. The workplace is all around the house; work is not separate from the everyday life of the family. Formerly the imperatives of the peasant community (the village) regulated not only the way work and domestic life were organized, but festivals as well. Thus up to a point a way of living which strictly speaking did not belong to any one individual, but more to a group of men committed to the ties – and limits – of their community or guild, could be developed.

With bourgeois society these various elements and their relations were overturned: in one sense they became differentiated, separate, in another they came to constitute a unified whole. Bourgeois society reasserted the value of labour, above all during the period of its ascendancy; but at the historical moment when the relation between labour and the concrete development of individuality was emerging, labour took on an increasingly fragmented character. At the same time the individual, more and more involved in complex social relations, became isolated and inward-looking. Individual consciousness split into two (into the private consciousness and the social or public consciousness); it also became atomized (individualism, specialization, separation between differing spheres of activity, etc.). Thus at the same time a distinction was made between man ‘as man’ on the one hand and the working man on the other (more clearly among the bourgeoisie, of course, than among the proletariat). Family life became separate from productive activity. And so did leisure.

As a result there is a certain obscurity in the very concept of everyday life. Where is it to be found? In work or in leisure? In family life and in moments ‘lived’ outside of culture? Initially the answer seems obvious. Everyday life involves all three elements, all three aspects. It is their unity and their totality, and it determines the concrete individual. And yet this answer is not entirely satisfactory. Where does the living contact between the concrete individual man and other human beings operate? In fragmented labour? In family life? In leisure? Where is it acted out in the most concrete way? Are there several modes of contact? Can they be schematized as representational models? Or must they be reduced to fixed behaviour patterns? Are they contradictory or complementary? How do they relate? What is the decisive essential sector? Where are we to situate the poverty and wealth of this everyday life which we know to be both infinitely rich (potentially at least) and infinitely poor, bare, alienated; which we know we must reveal to itself and transform so that its richness can become actualized and developed in a renewed culture?

The discreteness of the elements of the everyday (work – family and ‘private’ life – leisure activities) implies an alienation; and perhaps at the same time a differentiation – certain fruitful contradictions. In any event, like all ensembles (or totalities), it must be studied in terms of the interrelation of its elements.

The social history of leisure shows that during the course of a development in which its various stages may have overlapped or contradicted each other, it has been transformed in fact as well as in theory, and new needs have come into being.

At first, leisure gives rise to an undifferentiated global activity which is difficult to distinguish from other aspects of the everyday (family strolls on Sunday, walking).

On a higher level, leisure involves passive attitudes. Someone sitting in front of a cinema screen offers an example and a common model of this passivity, the potentially ‘alienating’ nature of which is immediately apparent. It is particularly easy to exploit these attitudes commercially. Finally, on the highest level of all, leisure produces active attitudes, very specialized personal occupations, linked to techniques and consequently involving a technical element independent of any professional specialization (photography, for example). This is a cultivated or cultural leisure.

This brief examination immediately reveals the contradictory character of leisure, both in terms of itself and in relation to the everyday. Leisure embraces opposing possibilities and orientations, of which some tend to impoverish through passivity while others are more enriching. Some are undifferentiated (although they may still be worthwhile on a certain level), others very much the reverse. And while some involve escape into a vacuum, others rediscover ‘nature’, an immediate, sensory life, through what is sometimes a highly developed technical expertise (organized sports or amateur films, for example).

Therefore, with its fragmentation of labour, modern industrial civilization creates both a general need for leisure and differentiated concrete needs within that general framework.

Leisure is a remarkable example of a new social need with a spontaneous character which social organization, by offering it various means of satisfaction, has directed, sharpened, shifted and modified. In response to such new needs, our civilization creates techniques which nevertheless have an ‘extra-technical’ meaning and character. It produces ‘leisure machines’ (radio, television, etc.). It creates new types of play which transform the old ones, sometimes conflicting with other activities, sometimes overlapping (in the camping holiday, work and leisure are barely distinguishable, and everyday life in its entirety becomes play). Concrete social needs are determined in a way which increasingly differentiates them according to age, sex and group. They also fall spontaneously into the categories of individual needs and collective needs (for example, the distinction between individual sports and team sports).

There is no doubt that today – in capitalist, bourgeois society, which has its own way of manipulating the needs arising from a specific level of civilization – the most striking imperative as far as the needs of leisure among the masses are concerned is that it must produce a break. Leisure must break with the everyday (or at least appear to do so) and not only as far as work is concerned, but also for day-to-day family life. Thus there is an increasing emphasis on leisure characterized as distraction: rather than bringing any new worries, obligations, or necessities, leisure should offer liberation from worry and necessity. Liberation and pleasure – such are the essential characteristics of leisure, according to the parties concerned. There is no more of a sense of genuine ‘leisure’ about a family get-together than there is about gardening or doing odd jobs around the house. So those involved tend to reject ambiguous forms of leisure which might resemble work or entail some kind of obligation. The cultural aspect strikes them as being irrelevant (which is not to say that it really is so). They mistrust anything which might appear to be educational and are more concerned with those aspects of leisure which might offer distraction, entertainment and repose, and which might compensate for the difficulties of everyday life. If we are to believe the subjective opinions revealed by surveys, this is as true for workers (proletarians) as it is for the other social classes.

It is thus not the work of art, in so far as it has a role to play in everyday life (the picture or the reproduction hanging in the bedroom), that is liable to constitute an element of leisure. Nor armchair reading, unless it provides thrills or escapism (travel books, stories about exploration, or crime novels), or relaxation (picture books, strip cartoons, or ‘readers’ digests’ – evoking nothing so much as pre-digested food). The constitutive elements of leisure are more likely to be images and films. And images and films which are (or at least appear to be) as far away from real life as possible.

The first obvious thing that the so-called ‘modern’ man around us expects of leisure is that it should stop him from being tired and tense, from being anxious, worried and preoccupied. To use a term which is now very widely used by the public at large, he craves relaxation. There is a veritable ideology, and a technicity, and a technocracy of relaxation (which is obtained by a variety of procedures, some passive, ridding life of its content, creating a vacuum – others active, exerting control over actions and muscles). Thus the so-called ‘modern’ man expects to find something in leisure which his work and his family or ‘private’ life do not provide. Where is his happiness to be found? He hardly knows, and does not even ask himself. In this way a ‘world of leisure’ tends to come into being entirely outside of the everyday realm, and so purely artificial that it borders on the ideal. But how can this pure artificiality be created without permanent reference to ordinary life, without the constantly renewed contrast that will embody this reference?

There are plenty of examples in the past of art aiming to embellish everyday life by skilfully transposing it: presenting it in a flattering light, imposing a style on it while acknowledging its real achievements – Flemish and Dutch painting, for example. What is new today in bourgeois society is that a complete break has become imperative (a fact that constitutes a serious obstacle for any attempt at realism in art). Consequently the art of obtaining this break is now a specific and eagerly exploited commercial technique. Clever images of the everyday are supplied on a day-to-day basis, images that can make the ugly beautiful, the empty full, the sordid elevated – and the hideous ‘fascinating’. These images so skilfully and so persuasively exploit the demands and dissatisfactions which every ‘modern’ man carries within himself that it is indeed very difficult to resist being seduced and fascinated by them, except by becoming rigidly puritanical, and, in rejecting ‘sensationalism’, rejecting ‘the present’ and life itself.

The sudden eruption of sexuality in the domain of the image – and more generally in leisure – calls for an investigation in its own right. Our era has witnessed the demise of a certain number of ridiculous taboos – which before becoming ridiculous were very serious indeed – which had imposed a ban on sexual matters, on clothes that externalized sexual characteristics, on bodies, on nudity. And yet it still produces a shock whenever this ban is transgressed, as though it were still in force. Images with a (more or less explicit) erotic meaning, or simply the display of a woman’s body, are violently attractive. The excessive use of such images in advertising has not yet exhausted the effect they have on us, and we may conclude that they correspond to something profound. Displays of sexuality and nudity break with everyday life, and provide the sense of a break which people look for in leisure: reading, shows, etc. On posters, in shop windows, on the covers of magazines, in films, everywhere there are unclothed women. It is a kind of escapism which from certain angles is more like a generalized neurosis: this sexuality is depressing, this eroticism is weary and wearying, mechanical. There is nothing really sensual in this unbridled sexuality, and that is probably its most profound characteristic. From this point of view, we will not criticize eroticism for being immoral, or immodest, or corrupting to children, etc. We leave that to other people. What we will criticize ‘modern’ eroticism for is its lack of genuine sensuality, a sensuality which implies beauty or charm, passion or modesty, power over the object of desire, and fulfilment. With ‘modern’ eroticism we step outside of the everyday, without actually leaving it: it shocks, it seems brutal, and yet this effect is superficial, pure appearance, leading us back towards the secret of the everyday – dissatisfaction.

Chaplin gave us a genuine reverse image of modern times: its image seen through a living man, through his sufferings, his tribulations, his victories. We are now entering the vast domain of the illusory reverse image. What we find is a false world: firstly because it is not a world, and because it presents itself as true, and because it mimics real life closely in order to replace the real by its opposite; by replacing real unhappiness by fictions of happiness, for example – by offering a fiction in response to the real need for happiness – and so on. This is the ‘world’ of most films, most of the press, the theatre, the music hall: of a large sector of leisure activities.

How strange the split between the real world and its reverse image is. For in the end it is not strange at all, but a false strangeness, a cheap-and-nasty, all-pervasive mystery.

Of course, the fictional and mystifying ‘world’ of leisure is not limited to the exploitation of sex, sentimentality and crime. Sport too will have to be scrutinized.

Sport has developed by presenting itself as the culture of the body, of individual energy and team spirit: as a school for health. What have these lofty ambitions achieved? A vast social organization (commercialized or not) and a great and often magnificently spectacular mise en scène devoted to competitiveness. The vocabulary is not without its humour. People who go to the races and bet on their favourite horse are known officially as ‘sportsmen’. Every football club has its ‘supporters’ and a supporter can be someone who has never kicked a ball in his life. He goes to the match in his car, or by bus or the metro. He participates in the action and plays sport via an intermediary. He quivers with enthusiasm, he fidgets frenetically, but he never moves from his seat. A curious kind of ‘alienation’. Sport is an activity which is apparently incompatible with illusion, and yet in fact it confronts us with a reverse image, a compensation for everyday life.

So the analysis of the relation between the needs of leisure and the other areas which globally make up everyday life presents many difficult problems. It is not sufficient simply to describe the facts. To obtain an analysis of content, we need a conceptual apparatus to supplement description. In particular the philosophical concept of alienation is essential. In a sense it has been introduced from outside, but placed in the context of sociology it becomes scientific and allows the sociology of everyday life to become a science as well as a critique.

Georges Friedmann has undertaken a long and very richly documented investigation into human labour in which he has attempted to pose the problem of the relations between leisure and work.

In substance, this work identifies leisure with freedom and work with necessity. Every day the sum total of techniques is transforming the conditions of existence. ‘Every instant of life is more and more penetrated by them’ and the technical environment surrounding man is becoming more substantial by the day. The notion of a technical environment generalizes the relation between man and machine and extends it to everyday life. However, the sciences of man, whose right to examine mechanization and its effects cannot be contested, themselves modify the technical environment. They do this by an intellectual, moral and social reassertion of the value of labour which ‘tightens the link of interest between the worker and society, by strengthening the incentives which justify his work, even if it is fragmented, and integrate him within a collectivity’. The human problem is therefore a dual one: on the one hand how to organize labour rationally, and on the other how to organize leisure rationally – especially ‘compensatory leisure’, in which the workers can express their personality. It would seem therefore that freedom in and through work comes principally from the intervention of psychotechnical or sociological theoreticians, in a word from an intervention of the ‘sciences of man applied to industrial labour’, which assures freedom ‘in so far as it exists in this domain’ – which according to Friedmann is not very far. For the technical environment is following its destiny. It characterizes not only capitalist society, but also industrial civilization as a whole.

Only the domain of leisure escapes the technical environment, escapes necessity, in other words, escapes depersonalization. In our leisure activities we are already beyond techniques. We achieve a leap from necessity into freedom, from the enslavement of the individual into whatever will permit his self-development.

Georges Friedmann has had the indisputable merit of posing problems and posing them in a wide-ranging way. He takes Marx’s arguments about the worker alienated by a labour which is itself alienated and renders them concrete in terms of the era we live in. (For Marx, however, the alienation of the worker by fragmented labour and machines is only one aspect of a larger – a total – alienation which as such is inherent in capitalist society and in man’s exploitation of man.)

It is certain that the development of the productive forces (in other words of techniques) has consequences within the social relations structurally linked to these techniques. Many Marxists have shut themselves away in a class subjectivism; their understanding of the social relations of production (in capitalist regimes) is restricted to and blinkered by the notion of class struggle. They have thus neglected to study the relations of production in so far as they are linked with the development of the productive forces. And this despite what Lenin had to say on the subject. Analysing monopoly capitalism, he demonstrated that ‘underlying this interlocking … its very base, are the changing social relations of production … it becomes evident that we have socialisation of production … that private economic and private property relations constitute a shell which no longer fits its contents’. By starting from an abstract notion of the class struggle, some Marxists have neglected not only to study the recent modifications of capitalismas such, but also the ‘socialization of production’, and the new contents of specifically capitalist relations. Such a study could perhaps have modified the notion of class struggle, leading to the discovery of new forms of struggle.

These questions have been put by ‘industrial sociology’. Has it resolved them accurately and completely? That is another matter. The undisputed fact is that since Marx’s analyses, and since Lenin’s, the productive forces have developed, and this economic fact cannot but have had consequences on the level of social phenomena.

Rather than resolving all the problems, Marx’s statements about labour and its relation with leisure inaugurated an area of research. He predicted that work would become man’s foremost need. The formula is only superficially clear. Objectively, for society, for the social man, for the ‘collective worker’, work has always been the foremost need. Does Marx mean that the individual man will transform this objective need into an essentially subjective one? So that by and in this work he will eliminate alienation? No doubt, but the formula is difficult to accept in relation to ‘modern’ fragmented labour. Moreover, if we put ourselves at the vanguard of technique and the modern productive forces, and consider the implications of automation, then we will need to interpret it afresh. For automation and transfer-machines tend to differentiate labour by splitting it into very highly skilled work and work for which no skill at all is required.

We may certainly affirm that work is the foundation of personal development within social practice. It links the individual with the other workers (on the shop floor, in the social class, in the social system) and also with knowledge; it is through work that the multi-technical education which controls the sumtotal of the productive processes and social practice is made possible, and necessary. And yet the fulfilment of these possibilities presents considerable difficulties. And under no circumstances can the ‘bitty’ character of labour be seen as conducive to the development of personality: whatever its social and political context, it is ‘alienating’.

Elsewhere Marx wrote that ‘this always remains a realm of necessity. The true realm of freedom, the development of human powers as an end in itself, begins beyond it, though it can only flourish with this realm of necessity as its basis. The reduction of the working day is the basic prerequisite.’ Therefore, according to Marx, the development of the need for leisure and the needs of leisure is deeply significant. Recent French sociology, and Georges Friedmann, have been right to bring this to the fore. But once that has been said, ought we to accept unreservedly the notion of leisure as the breakthrough of freedom into necessity? Or as a leap from necessity into freedom? As Marx said (and as Hegel said before him), necessity does not disappear in freedom, and freedomrelies upon necessity. We cannot conceive of themas external to one other, except relatively. The notion of free leisure is valid up to a certain point. Beyond that point it is inadequate. If we push it too far we run the risk of forgetting that there can be alienation in leisure just as in work (and alienation precisely in so far as the worker is trying to ‘disalienate’ himself!)

Thus the dialectical analysis of leisure and its relation with work (an analysis which is an integral part of the critique of everyday life) would seem in some ways to complement the investigations of both the ‘industrial sociologists’ and the ‘sociologists of leisure’.

Within the framework of bourgeois society (and the capitalist regime) work is lived and undergone by the worker as an alien and oppressive power. Not only do the technical division and the social division of labour overlap and impose themselves on him without his knowing the reasons why, but also he knows that he is not working for himself, either directly or indirectly.

Moreover the fragmented character of individual labour is in fact interdependent with the increasingly complete socialization of productive labour. Fragmentation and socialization are the dialectically contradictory aspects of the labour process wherever the productive forces are highly developed. Fragmented labour can only be meaningful and productive within global or total labour. Thus for the worker a dual need develops in respect of his own labour.

On the one hand, the worker aspires to a knowledge of the system in which he plays an integral part: a firm, and also a global society. And this is already a means of not submitting, a freeing himself from imposed constraints, of mastering necessity. In capitalist firms this confused but real aspiration is answered in a mystifying way by ‘human relations’ and ‘public relations’. Marxists who have criticized these recent, originally American, institutions have made the mistake of merely seeing the ideology they embody, and of ignoring the fact that they correspond to a real social need, born precisely from the socialization of labour. They have disregarded this socialization of labour, imagining that it happens only in socialist regimes, whereas it is in fact also a function of the development of the productive forces. They have not understood that in socialism knowledge satisfies a need which under capitalism is answered by an ideology. Reciprocally, the mistake of the non-Marxist industrial sociologists has been that they have not always shown that these innovations (human relations, etc.) were responding to needs purely in order to harness them, twist them, deflect them from their meaning, by reducing them to the dimensions of the firm and to cooperation with the employers.

Moreover, the worker craves a sharp break with his work, a compensation. He looks for this in leisure seen as entertainment or distraction.

In this way leisure appears as the non-everyday in the everyday.

We cannot step beyond the everyday. The marvellous can only continue to exist in fiction and the illusions that people share. There is no escape. And yet we wish to have the illusion of escape as near to hand as possible. An illusion not entirely illusory, but constituting a ‘world’ both apparent and real (the reality of appearances and the apparently real) quite different from the everyday world yet as open-ended and as closely dovetailed into the everyday as possible. So we work to earn our leisure, and leisure has only one meaning: to get away fromwork. A vicious circle.

Thus is established a complex of activities and passivities, of forms of sociability and communication which the sociologist can study. Although he cannot describe or analyse them without criticizing them as being (partially) illusory, he must nevertheless start from the fact that they contain within themselves their own spontaneous critique of the everyday. They are that critique in so far as they are other than everyday life, and yet they are in everyday life, they are alienation. They can thus hold a real content, correspond to a real need, yet still retain an illusory form and a deceptive appearance.

Thus leisure and work and ‘private life’ make up a dialectical system, a global structure. Through this global structure we can reconstruct a historically real picture of man and the human at a certain step in their development: at a certain stage of alienation and disalienation.

Of all the leisure activities concrete sociology should scrutinize, there is one which nowadays seems particularly remarkable.

Everyone knows that for more than a century the French school of painting has enjoyed world-wide renown. But do enough people realize that in France painting is becoming a mass art? That France – for reasons which as yet remain obscure – is becoming a nation of painters? ‘Sunday painters’, people who spend their leisure time painting, exist in their tens and perhaps hundreds of thousands. Innumerable local or corporate ‘art exhibitions’ are held. Thus, at a very high cultural level, leisure transcends technical activity to become art. On this level it seems to be using a certain means of expression in order to re-establish a hold on life in its entirety. In this context leisure involves an original search – whether clumsy or skilful is unimportant – for a style of living. And perhaps for an art of living, for a kind of happiness. To sum up, work, leisure, family life and private life make up a whole which we can call a ‘global structure’ or ‘totality’ on condition that we emphasize its historical, shifting, transitory nature. If we consider the critique of everyday life as an aspect of a concrete sociology we can envisage a vast enquiry which will look at professional life, family life and leisure activities in terms of their many-sided interactions. Our particular concern will be to extract what is living, new, positive – the worthwhile needs and fulfilments – from the negative elements: the alienations.


 

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