The Verso Book of Dissent: Revolutionary Words from Three Millennia of Rebellion and Resistance is a compendium of revolt and resistance throughout the ages, updated to include resistance to war and economic oppression from Beijing and Cairo to Moscow and New York City.
To celebrate the release of the new edition - 50% off at the moment as part of our end-of-year sale - we've present a selection of key moments of dissent from the book.
Artist Zoe Beloff's A World Redrawn: Eisenstein and Brecht in Hollywood is a multimedia exploration of the projects undertaken by two Marxist writers who found themselves in Hollywood in the 1930s and 40s. Originally presented as an installation, it comprises three films — Two Marxists in Hollywood, Glass House, and Model Family; all viewable online — as well as drawings, architectural models, and archival materials.
Beloff has now published a book of the same title, which collects images and documents from the installation alongside texts by herself, scholar Hannah Frank, and Esther Leslie — author of Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde — whose essay is reproduced below.
Zoe Beloff, drawing after a still from Ha Ha Ha, a film by Dave Fleischer, 1934.
Har De Har
Laughter, in Walter Benjamin’s words, is “shattered articulation.” Laughter breaks up both words and the body. Everything is disarticulated. A person in movement might be stopped in their tracks. A person speaking has the stream of words cut off. The listener hears only a clatter of stuttering sounds. Laughter is an interruption to the ongoingness of life and meaning. The flow of walking or talking is held up, stymied, while the disruptive event occurs. The body collapses in laughter, contorts and crumples, the face distends, the eyes close, the neck flips back, the arms and legs flail. Animation is often designed to induce laughter, but it also represents it. There are countless animated GIFS that loop a character’s spasms while laughing, the arms clutching the chest, the mouth as wide as can be, the eyes crinkled shut, the explosions of noise. In some depictions, the eyebrows even leave the face and judder in a space above the head for a few moments. The body is outside itself or beside itself, beside itself with laughter.