For the late Senegalese director Ousmane Sembène, cinema was always an opportunity for dialogue with the audience. In this essay, Henry Roberts explores the aesthetics and political power of Sembène's cinematic oeuvre.
"Through his filmmaking and overall cinematic framework, Sembène realized the dream of a unified and borderless Africa which its political leaders have yet to produce." Matene Toure revisits Ousmane Sembène's 1988 film Camp de Thiaroye, highlighting his life's ambition of inspiring revolutionary action through film.
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