
Unlearning Imperial Sovereignties
Despite the democratic potential of the camera, powerful institutions have historically sought to separate the photographer and her subjects, thus devaluing the participation of the many and making photography subservient to the imperial project. In the final part of the series Unlearning Decisive Moments of Photography, Ariella Azoulay argues that photography can only challenge such imperial practices if photographers pursue their profession out of affectionate proximity to their own community, and not as members of the international media.










