Paperback
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A new edition of the seminal classic exploring the fate of migrant workers
First published in 1975, this finely wrought investigation remains as urgent as ever, presenting the life of those who have travelled to live and work in Europe. Art critic, novelist, and artist John Berger brings humanity and a voice to those silenced in the political debate about who does and doesn’t belong.
Why does the Western world look to migrant labourers to perform the most menial tasks? What compels people to leave their homes and accept this humiliating situation? In A Seventh Man, Berger and Jean Mohr come to grips with what it is to be a migrant worker – the material circumstances and the inner experience – and, in doing so, reveal how the migrant is not so much on the margins of modern life but at its centre.
I admire and love John Berger’s books. He writes about what is important, not just interesting—in contemporary English letters, he seems to be peerless; not since Lawrence has there been a writer who offers such attentiveness to the sensual world with responsiveness to the imperatives of conscience. He is a wonderful artist and thinker.
This book is ever more timely.
His most remarkable book
I found opening A Seventh Man again troubling, even mournful. Because its prescience is matched by its nuance…This is why Berger is such a significant presence, still. He was a writer beyond the noble occupation of the critic, not just in the forms of literature he engaged in but in his wide-ranging, generation-traversing humanity.
Today, A Seventh Man emerges as a prescient work, when read against a sea of startling images arriving all the time from Lesvos, Lampedusa, the US southern border, the Rafa? crossing. Yet the book is also of a piece with experimental art of its own era. Joshua Sperling, author of A Writer of Our Time, sees its abrupt cuts and shifts in perspective in the vein of Jean-Luc Godard and the militant Dziga Vertov Group.