Cover of “Hyperpolitics: Extreme Politicization without Political Consequences”

Hyperpolitics:Extreme Politicization without Political Consequences

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POLITICS AFTER THE END OF THE END OF HISTORY

What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how pub­lic life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out.

Hyperpolitics revisits the illusions of the “end of history” and dissects the strange energies that replaced them: viral outrage, endless culture wars, and the digital rush of causes that flare and vanish overnight. Jäger shows how the promises of post–Cold War liberalism gave way to a restless, unsteady public sphere where private pas­sions overflow into politics but rarely build enduring power.

Ranging from Guy Debord and Wolfgang Tillmans to Houellebecq’s disenchanted fictions, Hyperpolitics makes sense of a world in which collective action remains fragmented and the social fabric thinner than ever. For anyone trying to grasp why our age feels so charged yet so incon­sequential, this book offers a vital map through the new contradictions of our hyperpolitical moment.

Reviews

  • The potential energy of organized gangs of wine moms is implicit in the new book “Hyperpolitics: Extreme Politicization Without Political Consequences,” in which Anton Jäger, a political historian at Oxford, draws a familiar but potent picture of an atomized, reactive, and screen-tethered culture, one lacking the sticky ongoing connections that were facilitated by the union meetings and shop floors and rec halls of yore.

    The New Yorker
  • Hyperpolitics is among the best and most dazzling efforts to model the political present in all its maddening strangeness.

    David Wallace-WellsThe New York Times
  • What Jäger seeks to understand in Hyperpolitics is the way politics appears to have returned with a vengeance, yet at the same time turned on itself as a form of anti-political rage and hopelessness.

    William DaviesLondon Review of Books