October 21, 2013

London Review Bookshop

The Hamlet Doctrine: Simon Critchley and Jamieson Webster at the London Review Bookshop

With Shahidha Bari, the authors explore the continued relevance of Shakespeare’s finest play for a modern world no less troubled by existential anxieties than Elizabethan London.

Has any work of literature been more written, talked and thought about than Shakespeare’s Hamlet? Philosopher Simon Critchley and psychoanalyst Jamieson Webster take on the play, and our abiding preoccupation with it, via a series of classic interpretations, notably those of Carl Schmitt, Walter Benjamin, Hegel, Freud, Lacan and Nietzsche. "We write as outsiders", they conclude, "for shame, about Shakespeare, with the added shame of doing so as husband and wife with the implicit intent of writing about love. Perhaps we have betrayed ourselves. Perhaps this book will be the undoing of our marriage. Perhaps it is written in vain, for no one and for nothing. In this rash lovers’ risk, this is essentially a book about nothing, for the love of nothing, for the nothing of love, for the love of Hamlet."

Simon Critchley is Hans Jonas Professor of Philosophy at the New School for Social Research. He also teaches at the European Graduate School. His many books include Ethics-Politics-SubjectivityInfinitely Demanding, and The Faith of the Faithless, all published by Verso. He is series moderator of The Stone, a philosophy column in The New York Times, to which he is a frequent contributor.

Jamieson Webster is a psychoanalyst in private practice in New York City. She is the author of The Life and Death of Psychoanalysis. She has written for Cabinet,The New York Times, and many psychoanalytic publications. She teaches at Eugene Lang College. 


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  • Do it, England: Simon Critchley and Jamieson Webster present The Hamlet Doctrine

    In the Guardian, Simon Critchley and Jamieson Webster explain their radical and subversive reading of Shakespeare's most famous play given in The Hamlet Doctrine

    The banal, biscuit-box Shakespeare needs to be broken up and his work made dangerous again. If the authorities really understood what was going on in Hamlet's head, students might never be allowed to study the text. Hamlet's world is a globe defined by the omnipresence of espionage, of which his self-surveillance is but a mirror. Hamlet is arguably the drama of a police state, rather like the Elizabethan police state of England in the late 16th century, or the multitude of surveillance cameras that track citizens as they cross London in the current, late-Elizabethan age. Hamlet's agonised paranoia is but a foretaste of our own.

    Rather than look at Hamlet in the usual humanistic and moralistic manner—Hamlet is a nice guy who suffers from being given a task that is an overwhelmingly unbearable burden - we approach the play in a spirit of what Virginia Woolf calls rashness, illness, and irreverence. We look at the play through the lenses provided by a singular series of outsider interpretations that happen to mirror our mutual occupations and preoccupations—philosophy and psychoanalysis - and which shed some light on the question of Shakespeare and Englishness: Carl Schmitt, Walter Benjamin, Hegel, Freud, Lacan, Nietzsche, Melville and Heiner Müller. We’d like to give a little taste of each of these interpretations.

    Visit the Guardian to read the article in full.

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