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Alain Badiou

Alain Badiou teaches philosophy at the École normale supérieure and the Collège international de philosophie in Paris. In addition to several novels, plays and political essays, he has published a number of major philosophical works, including Theory of the Subject, Being and Event, Manifesto for Philosophy, and Gilles Deleuze. His recent books include The Meaning of Sarkozy, Ethics, Metapolitics, Polemics, The Communist Hypothesis, Five Lessons on Wagner, and Wittgenstein's Anti-Philosophy.

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  • Anti-Semitism Real and Imagined

    As the British Labour Party leadership is once again the subject of a crisis over its alleged tolerance of anti-semitism, we present an extract from Alain BadiouEric Hazan, and Ivan Segré's Reflections on Anti-Semitism. The book dissects the various ways false accusations of anti-Semitism are used to stifle opposition to the Israeli state and to facilitate the subjugation of the Palestinian people. In this extract the authors consider the role of anti-Semitism in contemporary France. 


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  • Victor Hugo: The Great Prose of Revolt

    This essay was first published in Ballast. Translated by David Broder. 



    There are three kinds of conception of the novelistic. There is what we could call the official lineage, which the academy presents as the history of the French novel, proceeding by way of Stendhal and Flaubert. Here, the novel is the narrative, the capturing of the real, in a rapid, narrative and stylised prose. Then there is the current that I would call the tendency of great totalisations: the novel has the objective of capturing the spirit and the uniformity of an era, of constructing a sort of vast universe in which the spirit of the time takes hold, like in an orchestra. I would include Balzac in this totalising current — and it was perhaps him who invented it, with his La Comédie humaine — as well as Zola, perhaps Proust, and Martin du Gard. Then there is a third current, which is rarely recognised as officially making up part of the history of the novel (more than a current in itself, it is a sort of space apart, a freak case). In this current we have a certain number of freak novels: Rousseau’s Julie, or the New Heloise, Chateaubriand’s Mémoires d’outre-tombe and Victor Hugo’s Les Misérables. Three literary freaks. We don’t really know how they should be classified. We have the epistolary Julie, or the New Heloise, which is today little studied or read, whereas in the eighteenth century it was an extraordinary best-seller. We have the Mémoires d’outre-tombe, which is a novel only in that we know that Chateaubriand was just recounting what he wanted to (and with many of his wonderful stories, it is doubtful whether they are real). But we can, ultimately, take it as a magnificent historical and personal novel. And we have Les Misérables, which we will concern ourselves with here.

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  • "Time is nothing other than intervention"—Jacques Rancière on Alain Badiou’s Being and Event

    Jacques Rancière, Emeritus Professor of Philosophy at the University of Paris-VIII, provides a critical analysis of Alain Badiou's classic work Being and Event. Rancière's books include: The Intellectual and His PeopleStaging the People, and The Emancipated Spectator.


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