In the Summer 2011 issue of Slavic Review, Galya Diment bemoans the “share of stagnant conformity” in Nabokov studies and declares that challenging this conformity “is a healthy critical stance—especially if the challenge is grounded in a quest that is both critically reasonable and open-minded.”
This is Diment’s cue for Michael Maar’s Speak, Nabokov, a book that “bravely locate[s] [itself] outside the mainstream of Nabokov studies by going into territory neither Nabokov nor Nabokov loyalists would approve of.”