In a recent contribution to the Notre Dame Philosophical Review, Martin Jay reflected on Towards a New Manifesto, the lengthy exchange between Theodor Adorno and Max Horkheimer, which Verso published last fall. The dialogue, which went on for several days in the mid 1950s and was initially transcribed by Adorno's wife Gretel, today stands as a fascinating document that touches on a wide range of issues central to Adorno and Horkheimer and to the broader trajectory of critical theory. As Jay notes in his review, the publication of this exchange offers rare insight into the thought processes of these two leading members of the Frankfurt School, veering from the highly abstract to the urgently concrete, and registering the live intellectual development of some of the ideas whose later evolution ended up being so decisive for the course of critical social, political and philosophical thought in the second half of the 20th century.