Is representation necessary, or antithetical, to the democratic will? In light of the significant gains made by the indignados in the Spanish municipal and regional elections on Sunday, we publish a discussion about democracy and representation between Jacques Rancière, the inspiration for much analysis of the 15-M movement, and Ernesto Laclau, an important theoretical reference point for Podemos.
Amador Fernández-Savater introduces a discussion between the philosophers Jacques Rancière and Ernesto Laclau. Translated by David Broder, from El Diario
The right to demonstrate is non-negotiable. But in towns and cities across France, society is being reordered in a way that criminalises social and political struggles.
In Madrid, the opponents of the new Internal Security Act organized a demonstration of holograms in the Spanish Parliament.
The Vertigo Effect, a series of more than 25 films marked, in one way or another, by Alfred Hitchcock's 1958 classic, commenced last night at BAM. Below, we present Jacques Rancière's essay on the film from Intervals of Cinema, which casts back to Vertov's Man With the Movie Camera to uncover the faultline Hitchcock's work straddles.
Understanding the art of moving images means first understanding the relation between two movements: the visual unrolling of images specific to cinema; and the deployment and dissipation of semblances more broadly characteristic of the narrative arts. In the western tradition, the second aspect is dominated by the Aristotelian logic of inversion. The plot is a sequence of actions that seems to have a certain meaning and lead towards a certain end. But as the sequence unfolds, expectations are dashed: the alliance of causes produces an entirely different effect from the one anticipated; knowledge becomes ignorance and ignorance knowledge; success changes to disaster or misfortune to happiness. How can the unrolling of moving images be married to that particular logic for unveiling the truth behind appearances? I would like to show that the most perfect synchronization of the two movements includes a fault. And I will attempt to understand the philosophical meaning and political weight of that fault. So I will talk about the relation between vision, movement and truth. And by the same token I will have to talk about the relation between cinema, philosophy, literature and communism.