This extract is from a seminar given by Alain Badiou on 25 May 2011, according to notes taken by Daniel Fischer. In it, he comments on the construction of events surrounding the initial accusations towards the then head of the IMF.
What interests me in this affair is precisely its theatrical essence. The great writer of this would have been Jean Genet. We have here, as in “The Balcony” and “The Blacks,” allegory. We are in the representation, even in the representation of representation, the representation of the mechanisms of representation (what is a president, what is a police chief?).
Alain Badiou, whose most recent book The Age of the Poets has just been published, has written the below response to Laurent Joffrin, Editorial Director of Libération, who has written an article in Libération criticising Badiou for his use of the Chinese Cultural Revolution in a recent debate:
In the context of a debate with Marcel Gauchet on the theme ‘communism and democracy’ I invoked certain characteristics of the Chinese Cultural Revolution in service of a complex argument. This proved sufficient for Laurent Joffrin to abandon instantly the toil that doubtless occupies all of his time – the soft laying-off of almost a hundred employees from the Libération newspaper – to give his verdict: Badiou is just a frozen dinosaur.
During your talk in Avignon’s ‘Theatre of Ideas’ series you evoked the tensions at work within the 2,500 year-old couple of philosophy and theatre. In your view are these fruitful tensions, or, on the contrary, destructive ones? Nietzsche’s ‘The Birth of Tragedy’ offers evidence enough of this difficult relationship, while Socrates (helped by Euripides) wanted to sound the death knell of tragedy and herald the triumph of reason…
Alain Badiou: There have been two fundamental currents in philosophy ever since its origins, and not just one. What Nietzsche called philosophy is a Platonism that he had largely fabricated. So you could make a lot of objections to Nietzsche even based on Plato himself. Nietzsche counterposes a certain construct of philosophy to the original fundamental power of Tragedy, the Appollonian and Dionysian, but this is still only one definition of philosophy among many others, which he uses as a sort of war machine. It ought not be forgotten that Nietzsche went so far as to say that ‘the philosopher is the criminal of criminals’ – he did not qualify his assertions.
I think that in reality the relationship between philosophy and theatre is an ambiguous one, from its very origins.
A debate has long been raging between France’s public intellectuals regarding Israel/Palestine and the question of anti-Semitism. From Jean-Paul Sartre’s 1946 Anti-Semite and Jew to Jacques Derrida’s “Interpretations at War” to Blanchot’s The Writing of the Disaster, France—the country with the largest population of Jews and Arabs in Europe—has been fertile ground for these public debates. Even amongst philosophical allies positions have been fragmented; Deleuze expressed his support for the Palestinian cause, while Foucault held a strong pro-Israel stance.
Today, however, the debate has turned personal as well as ideological as attacks have been levelled against Alain Badiou, whose outspoken pro-Palestinian position and advocacy of a single state, along with his thoughts on anti-Semitism, have aroused much debate. Leading the charge is Éric Marty, a professor of contemporary literature at the University of Paris-7 and the author of Une querelle avec Alain Badiou, philosophe (2007). Marty had begun his querelle with Badiou as early as 2000 when he criticized Badiou for his enthusiasm for the ideas of the Cultural Revolution in China. By 2006 Marty published a full on attack with an article titled ‘Alain Badiou: the Future of a Negation’ in Les temps modernes. The ‘querelle’ continued with Badiou’s response to Marty titled ‘The Word “Jew” and the Sycophant’, in his book POLEMICS. Reflections on Anti-Semitism, a book co-authored with Eric Hazan and Ivan Segré, set out to definitively dispel all accusations of anti-Semitism against Badiou.
Still, in July, the debate heated up once more with the publication of Gérard Bensussan’s article in Libération titled, ‘The far Left has done what the far Right only dreamed of.’ There Bensussan, a professor of philosophy at the Université Marc Bloch in Strasbourg, charges Badiou and the far left critics of Israel with helping to restore anti-Semitic sentiments in France.
Below are several responses to Bensussan’s article. The first is Badiou’s retort followed by a response by Cécile Winter, the author of the essay 'The Master-Signifier of the New Aryans', which is published in Polemics. The final response comes from Ivan Segré, a Talmudic scholar and co-author with Badiou of Reflections on Anti-Semitism.