Pasolini, Abel Ferrara's portrait of the last day of Pier Paolo Pasolini's life, is now out on general release in the UK. To mark the occasion, Verso presents the full text of Alain Badiou's foreword to Pasolini's unrealised St Paul, a film that "would essentially be a sequel to his film on the Passion of Christ."
All the books on this list are 50% off until Tuesday 8th September as part of our Back to University/Back to School sale. See all the books included in the sale here.
Catch up on your radical political theory BEFORE you head back to class with books from Badiou, Butler, Žižek and more! The next time someone suggests pulling an all-nighter to finish that paper, you'll have Jonathan Crary's argument against capitalism infringing on our lives 24/7.
In July, in the wake of the ‘No’ vote in Greece’s referendum, the philosopher Alain Badiou expressed his hope that a new sequence was opening up. A few hours after Alexis Tsipras’s resignation, he bemoaned the Greek prime minister and his advisors missing this ‘unique’ political opportunity.
Translated by David Broder
1 We thought that we were right in thinking that the guiding principle of Syriza, winner of the Greek elections, was a vigorous ‘No’ to austerity. As such, we thought that it would categorically refuse all the anti-social, regressive conditions – attacking the most basic principles of the aspiration to equality and a tolerable life for the people – which the various financial authorities and their European cover made the condition of their loans. Many people furthermore rejoiced in the possibility of a new political orientation finally emerging in Europe, one absolutely different from the reactionary consensus in which all states have kept their respective public opinion for thirty years, whether out of consent or by force.
Is it selfish to want to be happy? On the contrary, thinks Alain Badiou: happiness is fundamentally egalitarian and to demand it, against its apparent impossibility, is a militant act. The interview below was translated by David Broder; see the original French text here.
(Photo: Badiou at Kendall College of Art and Design, Grand Rapids, 2014)
What encounters proved most decisive in giving your life its direction?
Alain Badiou: Before theatre and philosophy, it was something that my father said. Indeed, during the Second World War I had this screen memory take form, which was of decisive importance for my subsequent existence. I was six years old at the time. My father, who was in the Resistance – for which reason he was appointed Mayor of Toulouse upon Liberation – put up a big map of the military operations, in particular covering the developments on the Russian front. The frontline was marked out by a thin piece of string, pinned to the wall with tacks. I saw that the string and the tacks kept moving, though I did not ask too many questions; as a man operating in clandestinity, in front of the children my father was evasive about anything regarding the political situation and the war. This was spring 1944. One day, at the moment of the Soviet offensive in Crimea, I saw my father moving the string further left, clearly showing that the Germans were retreating toward the West. Not only had their conquering advance been held back, but now it was they who were losing vast swathes of territory. With a flash of understanding I said to him, ‘But then, maybe we’ll win the war?’ and for once he gave a very clear answer: ‘But of course, Alain! We just need to want it’.
What is the meaning of death today? For Alain Badiou, it is a reminder that we are defined by finitude: 'we are only mortals' is the order of the day, underlying both capitalist and religious nihilisms. In a seminar given on 18 May 2015, Badiou offered a new conception of death as radical exteriority. 'Death is something that happens to you; it is not the immanent unfolding of some linear programme.' Translated by David Broder.