In April, Keeanga Yamahtta-Taylor, author of From #BlackLivesMatter to Black Liberation, spoke in Chicago about why police violence has returned to the center of anti-racist activism. The text of her talk, below, was first published in Socialist Worker.
Protests on I-94 in Minneapolis following the killing of Philando Castile. Via Unicorn Riot.
Why the issue of police brutality?
Police violence against Black people is not new. In 1951, a multiracial contingent of activists in the Civil Rights Congress raised the slogan "We charge genocide" to characterize the depth and consequences of police murder and the silent complicity of the state. The preamble of their petition read, in part:
Race is not an element of human biology (like breathing oxygen or reproducing sexually); nor is it even an idea (like the speed of light or the value of) that can be plausibly imagined to live an eternal life of its own. Race is not an idea but an ideology. It came into existence at a discernible historical moment for rationally understandable historical reasons and is subject to change for similar reasons.
Akwugo Emejulu, Senior Lecturer at the University of Edinburgh, examines how white supremacy has operated before and after the UK’s EU referendum and argues that the visibility of racism following the Brexit vote must not obscure the conditions for its possibility. Her co-authored book, The Politics of Survival: Minority Women, Activism and Austerity in France and Britain is forthcoming with Policy Press.
Despite vociferous claims to the contrary, Brexit really is about race—but not in ways we might expect. In this seemingly ‘post-race’ era, Brexit shows us how whiteness, as a power relation, operates in ways to cast itself as both a ‘victim’ and an ‘innocent’ simultaneously.
This post is excerpted from Cedric Johnson's "Between Revolution and the Racial Ghetto: Harold Cruse and Harry Haywood Debate Class Struggle and the 'Negro Question', 1962-8", which will appear in the next issue of Historical Materialism.
The full article examines the series of exchanges between Cruse and Haywood that followed the 1962 appearance of Cruse's "Revolutionary Nationalism and the Afro-American" in Studies on the Left. The first section, reprinted here, offers an intellectual biography of Cruse in the years preceding The Crisis of the Negro Intellectual. Johnson goes on to describe Harry Haywood's intellectual formation and his development of the "Black Belt thesis" within the Communist Party before analyzing the debate between the two that commenced with a series of essays Haywood published in Soulbook.
"Revisiting this forgotten exchange between Cruse and Haywood is important on its own terms, for what it says about the character of black political thinking during the sixties," Johnson writes. "Each offered an influential revolutionary-left answer to the problematic of American racial relations, and although much of the vocabulary and conceptual framework they employed — that is, ‘the Negro question’ and the ‘black colony’ — seem antiquated now, their preoccupations and disagreements are relevant to contemporary thinking about black public life, within academe and society more generally."
As direct-action campaigns against Jim Crow grew increasingly frequent and defiant in Wichita, Birmingham, and Greensboro, Harold Cruse enjoyed the cosmopolitan lifestyle of a New York intellectual. By day, he worked at Macy’s department store, and at various odd jobs. And at night, he scribbled and entertained his diverse circle of friends, which included the impressionist painter Norman Lewis and Abram Hill, author of the famed play Striver’s Row. He adored café culture, spending hours conversing, playing chess, and reading in coffee shops like Pandora’s Box, one of his favourite haunts. After the death of the Japanese painter and printmaker Yasuo Kuniyoushi, Cruse inherited his top-floor apartment at 14th Street and Seventh Avenue, making him one of the few blacks living in the Village at that time. At the start of the sixties, Cruse was a man with a growing reputation as an essayist, but the path to his newfound intellectual influence had been a long and twisting one to say the least.