Writing for Public Books, Max Holleran review Sylvie Tissot's Good Neighbors: Gentrifyinf Diversity in Boston's South End. Praising the books combination of political and cultural investigation, Holleran describes Tissot's powerful analysis of how wealthier 'newcomers' create strong communities of their own - and, in so doing, force out those who once called the neighborhood home.
October 1, 2015 — This past spring a new French restaurant opened in the Bedford-Stuyvesant neighborhood of Brooklyn. Located on Malcolm X Boulevard, directly across the street from a Crown Fried Chicken, the restaurant—with a menu that includes frog legs and a bottle of Bordeaux that sells for $2,000—is an incongruous new addition to an area of Brooklyn where the median household income is below $35,000. It is named L’Antagoniste, ostensibly for its celebration of the contrarian French personalities pictured on its walls, but neighbors might interpret the name differently.
As chosen by Anthony Vidler, a Professor of Architecture and the Dean of the Irwin S. Chanin School of Architecture, Cooper Union, New York
A witty, incisive, critical, and brilliantly written invitation to see contemporary architecture and urbanism as a complex result of economic, political, and ideological forces that are hardly masked by the formal expressions of architects. This is criticism as we rarely read it, of the sort that Jane Jacobs and Lewis Mumford provided in an earlier era. These essays demonstrate that Sorkin goes well beyond his own advice, and that he adds something else for good measure: a deep and broad knowledge of architecture and cities, a love of both, and a profound belief in the role of architecture in constructing a just city.
'Liberty Square' is from Michael Sorkin's All Over the Map
One of the basic rights enshrined in the First Amendment to the Constitution is that of "the people to freely assemble." Free assembly is the primary expression of democracy in space, the physical embodiment of liberty. This relationship far predates the American experience. Cities, in particular, have long been seen as especially conducive to freedom, as exemplified in the famous motto of the Hanseatic League: "City air makes you free." The just city is one where citizens move unimpeded and gather in many different forms for self-expression. In modern times, social progress has been directly linked to the variety of rallies, demonstrations, marches, and insurrections that have had as their arena the streets and squares of the city. From women's suffrage to civil rights to union organizing to anti- war protests, the power of bodies together in space has been crucial to the defense of our rights. In real democracy, the streets belong to the people.
In city after city, certain places have become linked to these gatherings, institutionalized by repeated use. While the street is the bedrock of the popular right to the city-the conduit of association-it is only part of the necessary infrastructure of assembly, which includes privatized spaces such as bars, cafés, lecture halls, stadia, and stoops, as well as bigger public spaces: the parks, plazas, and town squares that remain fundamental to sound urbanism. Whether the Zocalo in Mexico City, the Mall in Washington, or Tiananmen Square in Beijing, these great sites are zones of focus, the common property of those dedicated to the struggle for free association. Indeed, the right of the public to gather in these places continues to be defended in blood.
For the Guardian, Chris Hall reviews All Over the Map: Writing on Buildings and Cities by Michael Sorkin, "a flâneur with a sense of public purpose." The incisive critique of contemporary architecture by "America's most outspoken architect ... doesn't pull punches."
Hall points out how Sorkin questions the triumphal nature of the planned Ground Zero memorial in New York. Instead, Sorkin calls for "open, public space that encourages 'peaceable assembly'":
He is undistracted by the false debate about which was the best design in the Ground Zero competition, questioning the very idea that there must be buildings to replace those lost and looking at the wider context of the ecology of Lower Manhattan and beyond.