We are told capitalism is in crisis, and that this crisis forces a choice: "the West or else barbarism". In the light of escalating fascism and ongoing war, the choice is made to appear all the more urgent. Yet, as Alain Badiou shows in his article below, this is a false contradiction that serves both sides and "blocks the advent of the only global conviction that could save humanity from disaster".
Translated by David Broder. The original French text is here.
By Alain Badiou
Modernity is first of all a negative reality. Effectively it is a break with tradition. It is the end of the old world of castes, nobilities, religious obligation, youth initiation rites, local mythology, the submission of women, the father’s absolute power over his children, and the official division between a small group of rulers and a condemned mass of toilers. Nothing can push this movement back—a movement that evidently began in the West with the Renaissance, was consolidated by the Enlightenment of the eighteenth century and then materialised in the unprecedented breakthroughs in production techniques and the constant refinement of means of measurement, circulation and communication.
This extract is from a seminar given by Alain Badiou on 25 May 2011, according to notes taken by Daniel Fischer. In it, he comments on the construction of events surrounding the initial accusations towards the then head of the IMF.
What interests me in this affair is precisely its theatrical essence. The great writer of this would have been Jean Genet. We have here, as in “The Balcony” and “The Blacks,” allegory. We are in the representation, even in the representation of representation, the representation of the mechanisms of representation (what is a president, what is a police chief?).