This extract is from a seminar given by Alain Badiou on 25 May 2011, according to notes taken by Daniel Fischer. In it, he comments on the construction of events surrounding the initial accusations towards the then head of the IMF.
What interests me in this affair is precisely its theatrical essence. The great writer of this would have been Jean Genet. We have here, as in “The Balcony” and “The Blacks,” allegory. We are in the representation, even in the representation of representation, the representation of the mechanisms of representation (what is a president, what is a police chief?).
Alain Badiou, whose most recent book The Age of the Poets has just been published, has written the below response to Laurent Joffrin, Editorial Director of Libération, who has written an article in Libération criticising Badiou for his use of the Chinese Cultural Revolution in a recent debate:
In the context of a debate with Marcel Gauchet on the theme ‘communism and democracy’ I invoked certain characteristics of the Chinese Cultural Revolution in service of a complex argument. This proved sufficient for Laurent Joffrin to abandon instantly the toil that doubtless occupies all of his time – the soft laying-off of almost a hundred employees from the Libération newspaper – to give his verdict: Badiou is just a frozen dinosaur.