At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first.
The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
We are all cyborgs now. To the point where this reality no longer appears at all striking. As so perfectly pictured in Alex Rivera’s film Sleepdealer (2008), we are biological machines strapped to information machines which together function as war machines. It is remarkable how much of our cyborg existence Donna Haraway anticipated. In this essay, I want simply to extract some pertinent themes from four of her books and from an extended interview conducted by Thyrza Nichols Goodeve. I will stress her connection to Marxist thought, not to deny her significance as a feminist writer, but to supplement it.
McKenzie Wark assesses the uses of Walter Benjamin today.
"Benjamin practiced his own version of what I call low theory, in that the production of knowledge was not contemplative and was disinterested in the existing language games of the disciplines. Knowledge has to be communicated in an effective manner. 'The task of real, effective presentation is just this: to liberate knowledge from the bounds of compartmentalized discipline and make it practical.'
"Benjamin has a genius for using the energies of the obsolete. But one has to ask if the somewhat cult-like status Benjamin now enjoys is something of a betrayal of the critical leverage Benjamin thought the obsolete materials of the past could play in the present."
Anarchist thought has lately picked up a rather worrying infestation of reactionary themes, such as a hyper-macho celebration of eternal combat, in which all that matters is the authentic act of aggressive self-assertion. It isn’t the first time. In this case, it’s a matter of paying too much attention to a scholastic, high theory tradition in which known Nazis such as Schmitt and Heidegger are treated with a respect that betrays the utter corruption of continental philosophy in its waning years.