At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first.
The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
Constant's New Babylon is about the infrastructure of the future of our desires, but one has to look elsewhere for a vision of its everyday life. In this extract from The Spectacle of Disintegration, I take up Charles Fourier's New Amorous World, a book only known in France since 1967 and still scandalously untranslated. (Although Raoul Vanegeim edited and introduced a lovely little French edition).