At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first.
The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
Anarchist thought has lately picked up a rather worrying infestation of reactionary themes, such as a hyper-macho celebration of eternal combat, in which all that matters is the authentic act of aggressive self-assertion. It isn’t the first time. In this case, it’s a matter of paying too much attention to a scholastic, high theory tradition in which known Nazis such as Schmitt and Heidegger are treated with a respect that betrays the utter corruption of continental philosophy in its waning years.