The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well.
In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms—which can probably not be banished at this late date—helps us clarify our present political and artistic situations.
To launch Set 7 in our Radical Thinkers series, we ran a competition last week to win a copy of every available book published in the series so far.
After a week of frenzied-question posting and a website crash in the face of Radical Thinkers popularity, I’m delighted to announce the winners and runners-up!
Fortnightly from the 9th of April, 2013, at the Institute of Contemporary Arts (ICA), London, five engaging speakers will be introducing the thought of Ludwig Feuerbach, Simon Critchley, Max Horkheimer, Alain Badiou and Wilhelm Reich. These events will span themes from sexuality to economics, idealism to ethics, covered in the author’s books in the new set of Radical Thinkers.
Set 7, released this month, is the latest addition to the series. These beautifully designed books have been described by Owen Hatherley as “a compendium of left-wing philosophical and political thought.”
The following provides a brief introduction to the thinkers and offers some related preparatory materials.