Today, as global capitalism comes apart at the seams, we are entering a new period of transition. In Less Than Nothing, the product of a career-long focus on the part of its author, Slavoj Žižek argues it is imperative we not simply return to Hegel but that we repeat and exceed his triumphs, overcoming his limitations by being even more Hegelian than the master himself. Such an approach not only enables Žižek to diagnose our present condition, but also to engage in a critical dialogue with the key strands of contemporary thought—Heidegger, Badiou, speculative realism, quantum physics, and cognitive sciences. Modernity will begin and end with Hegel.
Nothing proceeds from nothingness, as also nothing passes away into non-existence.
-Shakespeare (Marcus Aurelius)-
From scaling the very highest rooftops to political scandal through the eyes of Alexander Cockburn, we bring you our seasonal highlights for 2013.
THE CITY / URBAN EXPLORATION
Explore Everything: Place-Hacking the City
Bradley L. Garrett
"Garrett perceives the city like no one else I know. Seen through his eyes, it is newly porous, full of “vanishing points”, “imperfect joinings” and portals – service hatches, padlocked doorways – that you wouldn't usually notice... The city's accessible space extends far down into the earth (sewers, bunkers, tunnels) and far up into the air (skyscrapers, cranes), with the street level only serving as a median altitude." – Robert Macfarlane, Guardian
"[Combines] erudite references (Montesquieu, Walter Benjamin) with compelling photographs of men in hoodies in strange places." – Rowan Moore, The Observer Architecture Books of the Year
If we were to apply Freud's model of the psyche to left academia, Zizek would be the id, twitching, telling dirty jokes, uttering obscenities, promiscuously combining comments on sex, politics, art, science and popular culture. Badiou would be the ego, offering a calm, steady defense of communism, universality and truth. Which means that the superego would have to be Noam Chomsky, struggling to repress the id with his prohibitions on theory and abstraction.
October 07, 2014
Royal Festival Hall, Southbank Centre