Here is the ultimate book on the worldwide movement of hackers, pranksters, and activists that operates under the non-name Anonymous, by the writer the Huffington Post says “knows all of Anonymous’ deepest, darkest secrets.”
Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global phenomenon just as some of its members were turning to political protest and dangerous disruption (before Anonymous shot to fame as a key player in the battles over WikiLeaks, the Arab Spring, and Occupy Wall Street). She ended up becoming so closely connected to Anonymous that the tricky story of her inside-outside status as Anon confidante, interpreter, and erstwhile mouthpiece forms one of the themes of this witty and entirely engrossing book.The narrative brims with details unearthed from within a notoriously mysterious subculture, whose semi-legendary tricksters – such as Topiary, tflow, Anachaos, and Sabu – emerge as complex, diverse, politically and culturally sophisticated people. Propelled by years of chats and encounters with a multitude of hackers, including imprisoned activist Jeremy Hammond and the double agent who helped put him away, Hector Monsegur, Hacker, Hoaxer, Whistleblower, Spy is filled with insights into the meaning of digital activism and little understood facets of culture in the Internet age, including the history of “trolling,” the ethics and metaphysics of hacking, and the origins and manifold meanings of “the lulz.”
Yesterday morning, journalist and former Anonymous member Barrett Brown was sentenced to 63 months in prison and fines of $890,000, having already been detained for 31 months on charges for “merely linking to hacked material.” This sentence was issued in spite of what swathes of journalists, as well as Brown himself have called “a dangerous precedent,” the implication being that journalists who use hacked material may be similarly indicted. Read Brown’s statement following his sentencing below:
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Paul Mason follows in the footsteps of Virginia Woolf in search of fictional character in the age of social media.
I get on a train and there, eventually, is Eleni Haifa: about 22, massive hair and 5 ft tall.
She is either Italian, Jewish, Arab, Turkish, Kurdish or Greek. She has olive skin and is wearing high heels with gold tips, a white jacket, oyster coloured skirt and carrying two iPhones, one in a black case and one red.
She has one iPhone in each hand and is transferring something from one to another by typing using her thumbs. But not the tips of her thumbs because her nails are so long – and polished – that she has to use the pads of her thumbs to type, very fast. She puts one down – the one playing her music - and then goes to Facebook on the other: to her profile, where the picture is some kind of cartoon. She flips to What’sApp – I can tell it’s What’sApp from the green message boxes. Between Clapham Junction and Waterloo she spends her switching between What’s App and Facebook. She’s been on the train at least from Richmond.