The 1870s in France – Rimbaud’s moment, and the subject of this book – is a decade virtually ignored in most standard histories in France. Yet it was the moment of two significant spatial events: France’s expansion on a global scale, and, in the spring of 1871, the brief existence on the Paris Commune – the construction of the revolutionary urban space. Arguing that space, as a social fact, is always political and strategic, Kristin Ross has written a book that is at once a history and geography of the Commune’s anarchist culture – its political language and social relations, its values, strategies, and stances.
Central to her analysis of the Commune as a social space and oppositional culture is a close textual reading of Arthur Rimabaud’s poetry. His poems – a common thread running through the book – are one set of documents among many in Ross’s recreation of the Communard experience. Rimbaud, Paul Lafargue, and the social geographer Élisée Reclus serve as emblematic figures moving within and on the periphery of the Commune; in their resistance to the logic and economy of the capitalist conception of work, in their challenge to work itself as a term of identity, all three posed a threat to the existing order. Ross looks at these and other emancipatory notions as aspects of Communard life, each with an analogous strategy in Rimbaud’s poetry. Applying contemporary theory, to a wealth of little-known archival material, she has written a fresh, persuasive, and original book.
Anarchist thought has lately picked up a rather worrying infestation of reactionary themes, such as a hyper-macho celebration of eternal combat, in which all that matters is the authentic act of aggressive self-assertion. It isn’t the first time. In this case, it’s a matter of paying too much attention to a scholastic, high theory tradition in which known Nazis such as Schmitt and Heidegger are treated with a respect that betrays the utter corruption of continental philosophy in its waning years.
Interview with Joseph Confavreux for Mediapart on the occasion of the publication of the French translation of Communal Luxury: The Political Imaginary of the Paris Commune
Convinced that “the world of the Communards is closer to us than the world of our parents,” and that “it is actions that produce dreams and not the reverse,” Kristin Ross explores the imaginary and the practices of the Paris Commune, in order to show its political actuality today. At the juncture of a history of ideas, of imaginaries and of facts, Ross, a Professor of Comparative Literature at New York University, explores the Commune and its “afterlives,” in a book that is at once a textual study, an exploration of the thoughts and practices of Communards and their fellow travelers, and a political proposition for the present moment.