The Origin of German Tragic Drama
Cited by Lukács as a principal source of literary modernism, Walter Benjamin’s study of the baroque stage-form called Trauerspiel (literally, “mourning play”) is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderón and the engravings of Dürer, Benjamin attempts to show how the historically charged forms of the Trauerspiel broke free of tragedy’s mythological timelessness. From its philosophical prologue, which offers a rare account of Benjamin’s early aesthetics, to its mind-wrenching meditation on allegory, The Origin of German Tragic Drama sparkles with early insights and the seeds of Benjamin’s later thought.
Paperback, 256 pages
ISBN: 9781844673483
June 2009
$12.95 / £6.99
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Part of the Radical Thinkers series
Reviews
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Walter Benjamin is the most important German aesthetician and literary critic of [the twentieth] century.
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He drew, from the obscure disdained German baroque, elements of the modern sensibility: the taste for allegory, surrealist shock effects, discontinuous utterance, a sense of historical catastrophe.
Discussions
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Aesthetics and Politics
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The most remarkable aesthetic debates in European cultural history, with an afterword by Fredric Jameson.
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An absorbing selection of Walter Benjamin's personal manuscripts, images, and documents.