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Part of the I, Rigoberta Menchú / Who Is Rigoberta Menchú? series
The press of course went into high dudgeon, and not just for the obvious reason that it's one thing for opponents in the Middle East to call the United States the Great Satan and another thing for the president of a Latin American country to personally single out its president as Beelzebub, on US soil no less.
I think what really rankled was that Chávez was claiming a privilege that had long belonged to the United States, that is, the right to paint its adversaries not as rational actors but as existential evil. Latin American populists, from Argentina's Juan Perón to, most recently, Chávez, have long served as characters in a story the US tells about itself, reaffirming the maturity of its electorate and the moderation of its political culture. There are at most eleven political prisoners in Venezuela, and that's taking the opposition's broad definition of the term, which includes individuals who worked to overthrow the government in 2002, and yet it is not just the right in this country who regularly compared Chávez to the worst mass murderers and dictators in history. New Yorker critic Alex Ross, in an essay published a few years back celebrating the wunderkind Venezuelan conductor of the Los Angeles Philharmonic, Gustavo Dudamel, fretted about enjoying the fruits of Venezuela’s much-lauded government-funded system of music training: “Stalin, too, was a great believer in music for the people.”
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