Translated by Gregory Elliott

A leading philosopher presents a radical manifesto for the future of art and film

In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière argues that contemporary theorists of the image are suffering from religious tendencies. He suggests that there is a stark political choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution will always embrace egalitarian ideals.

“A series of gratifyingly knotty and close discussions of 19th- and 20th-century literature, film and painting.” — Guardian

“His art lies in the rigor of his argument – its careful, precise unfolding – and at the same time not treating his reader, whether university professor or unemployed actress, as an imbecile.” — Kristin Ross

“Like all of Jacques Rancière’s texts, The Future of the Image is vertiginously precise.” — Les Cahiers du Cinéma

“In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, Rancière shows a way out of malaise.” — Liam Gillick

“Rancière’s writings offer one of the few conceptualizations of how we are to continue to resist.” — Slavoj Zizek

Jacques Rancière is Emeritus Professor of Philosophy at the Université de Paris-VIII. His books include Hatred of Democracy and On the Shores of Politics (both from Verso), The Politics of Aesthetics, Short Voyages to the Land of the People and The Nights of Labor.