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China Miéville

China Miéville is the multi-award-winning author of many works of fiction and non-fiction. His fiction includes The City and the City, Embassytown and This Census-Taker. He has won the Hugo, World Fantasy, and Arthur C. Clarke awards. His non-fiction includes the photo-illustrated essay London’s Overthrow and Between Equal Rights, a study of international law. He has written for various publications, including the New York Times, Guardian, Conjunctions and Granta, and he is a founding editor of the quarterly Salvage.

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  • The Russian Revolution: A Verso Reading List

    "The year 1917 was an epic, a concatenation of adventures, hopes, betrayals, unlikely coincidences, war and intrigue; of bravery and cowardice and foolishness, farce, derring-do, tragedy; of epochal ambitions and change, of glaring lights, steel, shadows; of tracks and trains...

    This was Russia’s revolution, certainly, but it belonged and belongs to others, too. It could be ours. If its sentences are still unfinished, it is up to us to finish them." — China Miéville

    One hundred years on from the Russian Revolution we look back at the events that turned the world upside down and how they resonate today with new books from China Miéville and Tariq Ali, and classic texts from the Verso archive, made newly available for the centenary.

    All the books on this reading list are 50% off until May 28 at midnight UTC. Click here to activate your discount.


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  • The Time to Come

    "How to write history knowing what has happened and yet to write as if in each moment anything else might have happened? How to write with open possibility when one knows the ending?"

    Esther Leslie spoke at the Tate Modern with China Miéville and Owen Hatherley to launch Miéville's October: The Story of the Russian Revolution on 12 May 2017. This is the text of her reflections on revolutionary time, photography and narrative history. 

    October is 50% off until May 28 as part of our Russian Revolution reading. See all the books on the reading list, here.

    It is one hundred years since the Russian revolution, or revolutions, in February and October, 1917. An anniversary: the result of the imposition of time on the flux of human activity. China Miéville has written a history of those two revolutions, distributing those busy human moves, those chaotic activities, with another measure of time: the month. October stretches out John Reed’s temporality in Ten Days that Shook the World, extending the days considered to three hundred or more, and so widens the aperture, increases the resolution. Reed wrote about the ten momentous days in around ten days or nights, frenzied, shut away from everyone – and with piles of placards, papers and a Russian dictionary – but he began with the title that referred to time and he wrote it twenty four hours a day. 

    When we talk of revolution, we talk of time, in various ways. Revolutions, it is said, need to seize the moment, but which moment, what day, when? Revolutions hasten things, speed up things, or they stop them, freeze them in time. Revolutionary time is the time of stopped clocks and new calendars. The revolutionary activist Grace Lee Boggs began every meeting with the question: ‘What time is it on the clock of the world?’ 

    - Clock showing the time the Bolsheviks seized power on October 26 1917, Winter Palace, St Petersburg

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  • A Moment Where Things Were Radically Other

    “Things were different once, things could be different again” - China Miéville



    October
     is 50% off until May 28 as part of our Russian Revolution reading. See all the books on the reading list, here.

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