Giving voice to inner screams
For the late Senegalese director Ousmane Sembène, cinema was always an opportunity for dialogue with the audience. In this essay, Henry Roberts explores the aesthetics and political power of Sembène's cinematic oeuvre.
Researcher and activist Pascal Bianchini describes the lasting effects of the 1960s–70s student movement in Senegal and the condition of the Senegalese left today.
Africa should not be left blank on the map of scholarship that seeks to understand 1968 in a global perspective.