In this career-spanning interview with George Souvlis, Esther Leslie discusses Walter Benjamin, animated film, the history of color, the Historical Materialism project, and the commemoration of the revolutionary past.
A documentary video on the ZAD by artist Oliver Ressler.
A previously unpublished 1986 essay by filmmaker Thom Andersen, excerpted from a new collection of his writings.
In the Cut cannily moves its counter across a board whose rules have been laid down by Freudian psychoanalysis, Propp’s analysis of folk tales, and film theory’s obsession with the B-movie and noir.
A 1934 poem by Muriel Rukeyser, collected in Red Velvet Seat: Women's Writing on the First Fifty Years of Cinema.