The Imperial Messenger reveals the true value of this media darling, a risible writer whose success tells us much about the failures of contemporary journalism. Belén Fernández dissects the Friedman corpus with wit and journalistic savvy to expose newsroom practices that favor macho rhetoric over serious inquiry, a pacified readership over an empowered one, and reductionist analysis over integrity.
The Imperial Messenger is polemic at its best, relentless in its attack on this apologist for American empire and passionate in its commitment to justice.
About the series: Counterblasts is a new Verso series that aims to revive the tradition of polemical writing inaugurated by Puritan and leveller pamphleteers in the seventeenth century, when in the words of one of them, Gerard Winstanley, the old world was “running up like parchment in the fire.” From 1640 to 1663, a leading bookseller and publisher, George Thomason, recorded that his collection alone contained over twenty thousand pamphlets. Such polemics reappeared both before and during the French, Russian, Chinese and Cuban revolutions of the last century. In a period of conformity where politicians, media barons and their ideological hirelings rarely challenge the basis of existing society, it’s time to revive the tradition. Verso’s Counterblasts will challenge the apologists of Empire and Capital.
First published in Le Monde Diplomatique. Translated by David Broder.
A system that has veteran TV journalist Christine Ockrent commenting on Trump’s election on France Culture and Bernard-Henri Lévy interviewed about it by pundit-commentator Jean-Michel Aphatie two days later is just as absurd as a problem that claims to provide the solutions. But more than that, it is a dead system.
We should not be surprised that the theme of the living-dead is enjoying such a resurgence in TV series and films. They are representations of our era, and perhaps it is indeed the confused sentiment of this era, both dead-already and still-alive, that is secretly working away at our sensibilities, making the zombie appear as the figure that best expresses the present moment.
The 2016 Presidential campaign has been a very significant one for Latinxs, often referred to as the “sleeping giant” of the electorate. While Republican candidate Donald Trump astonished most media observers with his set of shifting, unorthodox political positions, it’s been his crudely racist and sexist discourse that have become the campaign’s central focus. Yet his relentless attacks demonizing immigrants from Mexico and Central America and conflating them with the national security issues represented by border enforcement--represented by his dubious wall-building dream--have put our interests in a narrowly defined box, obscuring discussion of other issues critical for Latinxs.