In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
“In the Flow not only aptly describes Boris Groys’ brilliantly astute state of mind when writing this book, but also signals the incredible journey the reader will take around some of the most pervasive cultural constructs of our time: the museum, the archive, and the Internet. In the process of articulating the rheology—or fluidity—of art, each chapter elucidates a new potential for contemporary terminologies and concepts such as activism, participation, aestheticization, infection, and transgression. In the Flow offers a refreshing approach to art theory that opens up the possibilities for ideas to remain mutable while being put into practice.”
“Most writing about the intersections between contemporary art and contemporary life surrenders, almost instantly, to the seductions of with-it presentism, or, more slowly but inevitably, to melancholy for a lost modernism. Not these essays by Boris Groys. In the Flow tracks the complex dialogue across a century and more between art and philosophy, politics, mass media, lifestyle, museums, and, recently, the Internet. Some flows are familiar, but most are not: from the avant-gardes of the Russian Revolution to the Stalinist state as a total work of art, from Clement Greenberg to Google, and Martin Heidegger to Julian Assange. Written with Groys’ signature penchant for outrageous provocation, breathtaking associative leaps, and productive paradox, these essays are a challenge, and a delight, to read.”