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Hold Everything Dear: Dispatches on Survival and Resistance

A powerful meditation on political resistance from one of the most original and influential thinkers of our times
From the War on Terror to resistance in Ramallah and traumatic dislocation in the Middle East, Berger explores the uses of art as an instrument of political resistance. Visceral and passionate, Hold Everything Dear is a profound meditation on the far extremes of human behaviour, and the underlying despair. Looking at Afghanistan, Palestine, and Iraq, he makes an impassioned attack on the poverty and loss of freedom at the heart of such unnecessary suffering. These essays offer reflections on the political at the core of artistic expression and even at the center of human existence itself.


  • “One of the most influential intellectuals of our time.”
  • “I admire and love John Berger’s books … He is a wonderful artist and thinker.”
  • “John Berger teaches us how to think, how to feel, how to stare at things till we see what we thought wasn’t there. But above all he teaches us how to love in the face of adversity. He is a master.”
  • “Berger’s is a humane and uniquely confiding voice.”
  • “Any book by John Berger is an event … admirers will recognise the characteristic blend of sympathy and lucidity, directness of address, human warmth, and cosmopolitan example.”


  • Art and Property Now

    In tribute to John Berger, who died yesterday, on 2 January 2017, we excerpt 'Art and Property Now' from Landscapes, edited by Tom Overton. The 1967 essay of materialist art criticism fed into Ways of Seeing (1972), the influential TV series and book that changed our understanding of art and its private ownership. 

    "Painting or a sculpture is a significant form of property – in a sense in which a story, a song, a poem is not. Its value as property supplies it with an aura which is the last debased expression of the quality which art objects once possessed when they were used magically. It is around property that we piece together our last tattered religion, and our visual works of art are its ritual objects." — John Berger

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  • Good To Know You!

    Andy Merrifield pays tribute to John Berger, who passed away aged 90 on 2 January 2017. 

    John died yesterday. I’ll remember his voice, his laugh, his charm and generosity. His words. Stripped-down words, mystical and carefully chosen words, earthy words, fierce words. They’ll always grab us, make us think, feel and act, piss people off. To weep for John is to weep on the shoulder of life. Remember him, gazing up at Aesop, in front of Velázquez’s great canvas?  

    He’s intimidating, he has a kind of arrogance. A pause for thought. No, he’s not arrogant. But he doesn’t suffer fools gladly. The presence of Aesop refers to nothing except what he has felt and seen. Refers to no possessions, to no institutions, to no authority or protection. If you weep on his shoulder, you’ll weep on the shoulder of his life. If you caress his body, it will recall the tenderness it knew in childhood.

    John didn’t suffer fools gladly, either. 

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  • Antiquarian and Revolutionary: Walter Benjamin

    Leading radical writer on art, John Berger, celebrates his ninetieth birthday this week. We're proud to have published many of his books, including the just-published Landscapes: John Berger on Art,a companion volume to Portraits: John Berger on Artists, both edited by Tom Overton. We have 40% off all the books on our John Berger bookshelf until Sunday 6th November to celebrate!

    In 'Antiquarian and Revolutionary: Walter Benjamin,' excerpted from Landscapes, Berger presents his singular engagement with one of his greatest enduring influences, the eclectic German critic and thinker Walter Benjamin. Widely considered to be the popularizer of the Benjamin's theories, Berger's seminal TV series Ways of Seeing made clear its relationship to Benjamin's influential 1935 essay 'The Work of Art in the Age of Mechanical Reproduction'.

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Other books by John Berger

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    “John Berger teaches us how to think, how to feel how to stare at things until we see what we thought wasn’t there. But above all, he teaches us how to love in the face of adversity. He is a master.” — Arundhati Roy, author of The God of Small Things

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    “A volume whose breadth and depth bring it close to a definitive self-portrait of one of Britain’s most original thinkers” – Financial Times

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    A Seventh Man

    New edition of this seminal exploration of migrant workers.

    21 posts