What has become of William Morris the socialist, the author of one of the finest works of utopian political fiction, and the founder of the Socialist League? How can we wrest him away from the image of him as the "intellectually disorganised artist beloved by the heritage industry"? In this essay on Kristin Ross's Communal Luxury, Matthew Beaumont analyses Ross's attempt to rescue Morris for the present, and for the task of liberation.
This article first appeared in The Journal of William Morris Studies, 21.4 (2016), where it formed part of a symposium-in-print on Kristin Ross's Communal Luxury. Back issues can be purchased here. A chronological index of the Journal is available online.
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