This interview with Enzo Traverso was first published in L'humanité. Translated by David Broder.
June 2015 press conference of far right 'Europe of Nations and Freedom' bloc within European Parliament.
In his Les Nouveaux Visages du Fascisme, historian Enzo Traverso analyses the mutations of the European far Right movements that have emerged from "the fascist matrix."1 According to Traverso, the Left has to "offer political perspectives again" in order to occupy "the immense void" that is today being filled by both jihadism and a "post-fascism" that excludes Muslims.
Are Europe’s far-Right movements (the AfD in Germany, the Front National in France, Jobbik in Hungary…) adopting the same codes as fascism or Nazism?
Enzo Traverso: First of all, these movements do share common traits, including their rejection of the European Union, their xenophobia and their racism, in particular in its Islamophobic dimension. Beyond these markers, we can see notable differences. There are clearly neo-fascist or neo-Nazi movements, like Golden Dawn in Greece, Jobbik in Hungary, etc., whose radicalism is often linked to the extent of the crisis, even if in Greece the rise of Syriza did put a lid on this dynamic. As for France, the Front National does have a fascist matrix, and there are certainly neo-fascists in the party, but its discourse is no longer fascist. After all, it has made a considerable effort at ideological mutation, and that is one of the keys to its success. If it still advanced neo-fascist arguments it would not get a hearing, and could certainly not hope to reach the second round of the presidential election.
At no other time has the image of Islam gained so much public attention. Yet, this image is replete with misinformation and ignorance about the theology, history and practice of Islam.
In the Mosaic of Islam Perry Anderson and the acclaimed historian of Islam Suleiman Mourad aim to introduce the long history of Islam and its reception, from Muhammad to the present, in an open and accessible manner. In this extract from the book, Anderson and Mourad discuss the antagonism between Shiʿis and Sunnis, the causes and effects of the Arab Spring, Israel's place in the Middle East, and the history of Pan-Arabism.
This essay is excerpted from Sohail Daulatzai's Fifty Years of The Battle of Algiers: Past as Prologue, published by the University of Minnesota Press. A new 4K restoration of The Battle of Algiers is currently touring theaters across the United States.
Though it is both troubling and telling, the screening of the film by the Pentagon in the aftermath of 9/11 and the invasions of Iraq and Afghanistan is only the latest chapter in the afterlife of The Battle of Algiers. In many ways, the film is a battleground and a microcosm of the enduring struggles between the West and the Rest, whiteness and its others. But in a post- 9/11 moment, it’s hard to ignore the ways in which the centrality and omnipresence of the figure of the Muslim and the “War on Terror” have not only coded and shaped every aspect of social life but have also sought to undermine the power and politics of The Battle of Algiers.