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The loneliness of the fugitive life informs the essays in Beauty and the Inferno. Among other subjects, he writes about the legendary South African jazz singer Miriam Makeba, his meeting with the real-life Donnie Brasco, sharing the Nobel Academy platform with Salman Rushdie, and the murdered Russian journalist Anna Politkovskaya. Present throughout the book is a sense of Saviano’s peculiar isolation, which infuses his words with anger, exceptional insight and tragedy.
Reviews
“I feel humble, almost insignificant, faced with the dignity and the courage of the writer and journalist Roberto Saviano, the man who has mastered the art of living.”
“It is good to be reminded of the raw bravery of the Savianos of this world and to salute them for sacrifices they have made in their challenges to power.”
“We must thank Roberto Saviano for having returned to literature the ability to open eyes and minds.”
“Its tone is angry and urgent … the essays in Beauty and the Inferno are in some sense a celebration of bravery and an expression of rage against corruption and cowardice.”
“He never pulls his punches, his message is incredibly important, and the facts he includes—such as the increase in cancer rates due to the illegal dumping of toxic waste—are like bombshells.”
“A beautiful object, from the surface through to its depths … Saviano's confidence and sheer bulldozing coherence could serve as inspiration to all writers, both of fiction and journalism, as the path around weak speechifying and dutiful responses. Read Saviano and feel hope.”
“Always passionate … Saviano's commitment to his subjects draws the reader in…This is a strong collection from a brave and keen-eyed reporter.”
“A perceptive and sympathetic critic and reader … Saviano writes very well … what he has to say demands to be read. Like Primo Levi, his testimony pricks our conscience, tests our resolve, makes us examine ourselves … At once deeply disturbing and illuminating.”
“In his essay about [Anna] Politkovskaya, he writes: ‘I do not care about beautiful stories that cannot be bothered with the blood of our times. I want to smell the rot of politics and the stench of business.’ He achieves that and more in his own work.”
“Topics are eclectic, mostly personal or reflecting on art and artists.”
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