This new edition of the classic work on the politics of architecture—and the architecture of politics—appears on the fiftieth anniversary of the Six-Day War, which expanded Israel’s domination over Palestinian lands.
From the tunnels of Gaza to the militarized airspace of the Occupied Territories, Eyal Weizman unravels Israel’s mechanisms of control and its transformation of Palestinian homes into a war zone under constant surveillance. This is essential reading for those seeking to understand how architecture and infrastructure are used as lethal weapons in the formation of Israel.
“The most astonishing book on architecture that I have read in years.”
“A masterpiece of political analysis.”
“Eyal Weizman has taken Edward Said’s thesis to a new level, generating extraordinary, and at times surreally uncomfortable, conclusions … Weizman’s book is of salutary interest.”
“Weizman takes his readers on a tour of the visible and invisible ways in which Israel implements its control over Palestinians … Hollow Land is eloquent about the architectural chaos and confusion created by Israel in the Occupied Territories.”
“A passionate jeremiad.”
“Eyal Weizman brilliantly deconstructs Israel’s yoking of traditionally humanist disciplines and discourse to the service of its campaign against the Palestinians. This book is chilling but essential reading.”
“Hollow Land is a remarkably original work that confirms Eyal Weizman’s indispensable role as a critic of the sinister and ubiquitous instrumentality of space in contemporary politics and life.”
“Hollow Land is a remarkable achievement. Scholarly and poetic in its epic reach, and narrated with the clarity of vision and sensibility of an artist, Hollow Land is destined to become a classic.”
“A startling exercise in what it means to think through the axiomatics of occupation, capture and subjection … Weizman boldly attempts to create an entirely new method to conceptualize the relationship between surfaces, movement, and the tools of war.”
“A wrenching account of the multiple ways in which the land of Palestine has been hollowed out by Israeli occupation. Weizman’s stunning combination of words and images is at once a brilliant critique of the politics of space and a searing indictment of colonial rule and dispossession.”