Michael Sorkin is one of the most forthright and engaging architectural writers in the world. In What Goes Up he takes to task the public officials, developers, “civic” organizations, and other heroes of big money, who have made of Sorkin’s beloved New York a city of glittering towers and increasing inequality. He unpacks not simply the forms and practices—from zoning and political deals to the finer points of architectural design—that shape cities today but also offers spirited advocacy for another kind of city, reimagined from the street up on a human scale, a home to sustainable, just, and fulfilling neighborhoods and public spaces.
Informing his writing is a lifetime’s experience as an architect and urbanist. Sorkin writes of the joys and techniques of observing and inhabiting cities and buildings in order to both better understand and to more happily be in them. Sorkin has never been shy about naming names. He has been a scourge of design mediocrity and of the supine compliance of “starchitects,” who readily accede to the demands of greed and privilege. What Goes Up casts the net wide, as he directs his arguments to students, professionals, and urban citizens with vigor, expertise, respect, and barbed wit.
“Easily one of the best architecture critics around … Sorkin is a flaneur with a sense of public purpose.”
“America’s most invigorating writer on architecture.”
“Sorkin is a formidable opponent of the banal, the ugly, the stupid and the vapidly posturing which, he argues, are all around us.”
“Michael Sorkin secures his claim to succeed Jane Jacobs … He brings to bear an eye every bit as acute, a pen nearly as trenchant, and a political understanding perhaps a little bit more sophisticated of the never-ending struggle over New York’s neighbourhoods.”
“Sorkin is one of the most intelligent writers on architecture today.”