Paperback
+ free ebook
+ free ebook
+ free ebook
+ free ebook
How digital photography remade our world
The selfie, the faux-vintage photo, the self-destructing image, the food photo—these new visual forms and the devices and platforms that facilitate them have fomented a cultural revolution. Not only has the art of photography and the industry around it been transformed, but the way we under-stand ourselves has changed. The Social Photo provides a language and conceptual framework to comprehend photography in the age of social media. This updated edition includes a new preface contemplating the fate of the social photo in the era of AI-generated images.
Like Susan Sontag’s On Photography to which it self-consciously responds, The Social Photo is slim, hard-bitten and picture-free. For if the average photo is ever dumber, photography matters even more; the social photo, in Mr. Jurgenson's phrase, has effected a "fusion of media and bodies" that has made every gallerygoer a cyborg.
Jurgenson is a good guide to our times
Jurgenson puts forth the useful proposition that most online photos are about sharing experiences, not creating memories…units of communication, more emojis or hieroglyphics than portraits; they have little context, aren’t discernibly located anywhere, and typically come in the aggregate. For the most part, it wouldn’t really matter if they existed in twenty years.