The deeper meanings of popular cultural phenomena in post-9/11 America
The shock and horror that gripped America on September 11, 2001, has given way to a culture of pathological worry. Ignited by the terrorist attacks, anxiety has been fueled by the nation’s official response, which sanctioned a narrative good vs. evil, the suppression of intellectual debate and the political expediency of keeping the citizenry in a constant state of fear. Snipers in the capital, the government in bunkers, flag euphoria and anthrax hysteria, torture in Abu Ghraib and a stuntman who survived Niagra Falls – these are the nation’s portents, signs of the times in post-9/11 America. Portents of the Real examines culture to apprehend the foreboding political subtexts of a nation perpetually at war on terror.
Against an ever deepening climate of political repression and a journalistic landscape dominated by sensationalized controversy and historical forgetfulness, Susan Willis offers an astute analysis of the realities behind America’s cultural myths. The effect is both wry and unnerving.