Today is World Refugee Day, an international day dedicated to raising awareness about the 22.5 million people around the world who have fled their homes due to famine, violence, and persecution around the world.
During Refugee Week, Threads: From the Refugee Crisis is 40% off until June 25 at midnight UTC. Click here to activate your discount. Verso will donate £1 from every purchase to Médecins Sans Frontières.
In tribute to John Berger, who died on 2 January 2017, we excerpt ‘The Moment of Cubism’ from Landscapes, edited by Tom Overton. The 1967 essay of materialist art criticism, originally published in New Left Review, traces the lineages and legacies of Cubism. In it, Berger grapples with the sensation that “the most extreme Cubist works” – both “too optimistic and too revolutionary … to have been painted today” – are “caught, pinned down, in an enclave of time, waiting to be released and to continue a journey that began in 1907.”
An interlocking world system of imperialism; opposed to it, a socialist international; the founding of modern physics, physiology and sociology; the increasing use of electricity, the invention of radio and the cinema; the beginnings of mass production; the publishing of mass-circulation newspapers; the new structural possibilities offered by the availability of steel and aluminium; the rapid development of chemical industries and the production of synthetic materials; the appearance of the motor-car and the aeroplane: What did all this mean?